12 String Effect Guitar Rig

This was part of the package for the GL1 Guitalele - Nylon-String Guitar Ukulele (Natural) by Yamaha. It was all given as a gift and well received!

My first nylon string guitar of this type and I'm absolutely amazed at how nice this is. It's a very light yet solidly built guitar. Fit and finish is stunning. Playability is easily comparable to guitars of this type that are more than twice the price. Very pleased with this guitar.

Works very well on my Cordoba nylon string classical guitar. Firm pressure, grip is effective but doesn't damage anything. Easy to use.

I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.

Used to cary multi effect system for my bass guitar

A great inconspicuous tuner. Easy for you to see and nobody else. A must for a 12 string. No excuse for not being in tune. I’ve got six of them.

I got the last one in stock (time to reorder, B&H!) and I can see why... the Mel9 pedal adds a completely new vibe to any electric guitar setup. It's very dynamic and responsive, only slightly losing track with very soft notes. Send the dry out to one amp, and the effect out to another (or the sound board) and your sound palette gets very big very quickly. Like everyone else probably did, I immediately dialed in the flute sound and learned Strawberry Fields Forever, but it doesn't stop there. Strings, cello, orchestra and choir sounds are super-fun and very authentic - even down to the warbly tape sound. One thing I'm considering is putting an EQ pedal on Mel9 as its sounds can be a little harsh in the midrange. Dial that back, add some reverb, set the attack and decay at about 1 o'clock, and you have a string pad like keyboard players have always enjoyed - at a fraction of the cost of MIDI guitar synth. Play around with pickup settings too, as the effect sound definitely responds differently to neck vs. bridge pickups. Playing speed is also a factor... most of the sounds take a little time to bloom, so staccato, rapid picking probably won't let the sounds fully develop. But for adding a huge layer and vintage texture to your sound, the Mel9 is where it's at. I can't wait to try it on bass guitar too. This one will be used a lot.

I bought this mixer so I could connect a microphone, a guitar and a cd player and sing with a chamber effect, and I'm very pleased with it. Now I enjoy the time singing with friends.

Since obtaining this microphone, I have used it to mic up two different guitar amplifiers to good effect. Overall, the sound is warm and the bass response becomes more pronounced the closer it is placed to the grille cloth. Positioning the mic around six inches away produces a more balanced and useable sound IMHO. I have yet to try this mic with a Cloudlifter, which I believe should, when used in conjunction with the Fat Head II, yield a better, hotter signal.

Great sound for a guitar this size. It has binding on the fretboard edges. The ACTUAL size of this guitar body is 12 wide at the lower bout, 18 long and 3 5/8 deep. I'd buy it again.