12 String Semi Hollow Guitar Kit

This is not a Hollow-Body guitar, as listed, it's a semi-hollow. That being said, it's a great semi-hollow for the price. Probably not the best choice for a live guitar, (too much feedback), but great as a studio guitar to add a different flavor.

For small combo work with a hollow-body jazz guitar, this amp has a great clean tone and in small rooms plenty of power even at its 40 watt rating. It must be extremely efficient because I have yet to go beyond 1 on the volume.

This was part of the package for the GL1 Guitalele - Nylon-String Guitar Ukulele (Natural) by Yamaha. It was all given as a gift and well received!

My first nylon string guitar of this type and I'm absolutely amazed at how nice this is. It's a very light yet solidly built guitar. Fit and finish is stunning. Playability is easily comparable to guitars of this type that are more than twice the price. Very pleased with this guitar.

Works very well on my Cordoba nylon string classical guitar. Firm pressure, grip is effective but doesn't damage anything. Easy to use.

I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.

A great inconspicuous tuner. Easy for you to see and nobody else. A must for a 12 string. No excuse for not being in tune. I’ve got six of them.

The original case for my AS-200 might be best characterized as semi-hard shell. It creaked when you picked it up, and the cover had started to peel off in places, so when I had the 41 year-old guitar refurbished, I treated it to a new case. It fits well, and Ibanez is not exactly like other semi-hollows. It's a little big on the lower 'bout. The latches align well, and the case affords enough protection for around-town gigs. As airport luggage I'd double-box or at least wrap the guitar's headstock to prevent movement. The case is a true hard-body. The shell isn't thick but seems strong. It is deeper than it needs to be: the neck inclines as it sets in the case. My only disappointment was in B&H itself, that my particular case was clearly an open-box (tears in the plastic bag the case was in, box had been opened) and should have been sold as such. Couldn't find damage to the case itself, or I would have returned it. Maybe get this case but from another source?

I bought these mics for my semi-professional studio about a month ago. In that time i have used them on vocals, acoustic guitar, and electric guitar. They make mellow vocals warm and sultry while acoustic guitars shine. However if your recording a loud singer or heavy vocals I'd suggest something else. What first attracted me to these mics was the price. two ribbon microphones for such a low price? They must be junk. But after doing several weeks of research and talking to people that had them I decided to make the purchase. I'm so glad I did! The only downside to these mics is that they are ribbons and the user must be careful in handling them so as not to damage the coils. So avoid plosives when doing vocal takes, this is where pop-filters come in handy. Cascade Mics definitely stepped up.

Well built, and the metal end is not not hollow, so less likely to be crushed.