120 Format Camera

I received a medium format camera as a gift. Where do you get 120 film processed? Ilford provided the answer.

Just got a medium format 120 film camera and needed film to try it out! Super excited to see how this works, and it was such an affordable price! Best price I've seen across many different sellers

you need this if you're using and old camera that won't take the regular 120 format reels. As far as I know B&H is the only spot for this in the world. Make sure to save the old reels, in the case of a Kodak Brownie you can use the 120 film reel as the feed reel as long as you have a 620 reel for the take up.

Since I have more than one 120 size camera, with different formats, I find this size handy as It will hold almost any standard 120 format example 4 rows of 4 645 negatives. (16 exposures)

Been in love with this stock since I first shot it 2 years ago, wish it came in 120 format as well

This format for 120 film is perfect. The vertical sleeve makes it harder for my negatives to slip out.

Grabbed this after using the medium format (120) version of it. So glad I did, and will continue to use this in my Super 8!

Just got a few rolls (120 format) of this new-to-me film. I shot it in a vintage Ansco Titan 6x6 camera (1948). Developed it in Rodinal 1:50 for the recommended 22 minutes at 20C. Excellent tonal range and reasonable grain (especially considering the Rodinal development). Seems to fulfill the manufacturers claims for the dual emulsion. Nice clear base made scanning easy. I suspect I may get better results exposing for ISO 200 rather than 400. Am planning to try this next time around. Very pleased and ready to get some more!

I use this in all my 120 format cameras: Holga, Diana, and Lubitel. I find the colors consistant and the film has a decent exposure latitude. I usually keep several rolls in my camera bag.

This film is the only professional quality film I ever shoot in 120 format. It is consistent and delivers a nice range of tonal qualities for rich black and white images. I find it a pleasure to work with the 100 ISO in the darkroom, as it lends richer grays to all levels of contrast when working on multi-grain printing papers.