1950 Conn Tenor Saxophone

Very well built. Very stable and adjustable for different sizes of alto and tenor saxophone. Also adjust the height.

Works on my Conn C 200 and my Yamaha G160

Works well over my 1950's 50mm Summarit.

it picks up all the great sound , i use it for my alto saxophone its works great ,sounds great .

Very nice and well built reflector not only can it be used for recording vocals but also for saxophone too. worth the money!

My Dad used Tiffen filters in the 1950's and I have used them since 1972 . Great glass . Great value .

Use it with my circa 1950 collapsible Summicron on my M4 and couldn't be happier.

I've worked with many saxophone players and I played woodwind instruments. Not saying that I am an expert but I do have some experience with wind instruments. I am keyboardists with years of working with sampled saxophones. The samples have become better over the years but SWAM physical modeling is superior for duplicating the nuances and articulations of a real sax player. The only weak link is me. I need to think sax and not keyboardist when I use the SWAM plugin. My wife is a musician and when I would try to emulate a sax she would say 'that doesn't sound real'. Then I let her listen to a song with the SWAM Sax she said 'WOW, that's not you you're trying to fool me'. You won't be sorry with the SWAM Sax Virtual Instrument.

I use it with my iPad for backing tracks for vocal and saxophone solos. It works well and keeps me from having to coordinate with a sound person. I can control volume.

I use this product to connect my iPad for backing tracks for vocal and saxophone solos. I absolutely love it. I think it works very well.