1967 Epiphone Casino Guitars

Epiphone LP securely fits snugly in this gigbag.

Great case. Fit's my Epiphone ES335-Pro perfectly. Love it.

I have been delighted by this product. I recommend your company to all my colleagues in my department. I work Security at a casino and with budgetary restrictions I am always seeking out vendors to get deals on gear. Thank you very much.

Guitars, keyboards, bass

These mics did not astound me. They did not turn my $250 Epiphone acoustic into a $2500 Gibson J45. I did not sound like Frank Sinatra. They did not improve my gas mileage. BUT; they sounded awesome. These are not the Ferrari or Mercedes of the mic world; these are WORKHORSES. They sound rich, thick, syrupy and smooth while sounding clear and articulate. They ROCK on guitar cabs and sound fantastic in blumlein for singer/songwriter in-the-room sound. If you want a $4000 mic that gets used once in a while, this ain't it. If you want a great value on a pair of mics that you'll use on every single session, these babies are it!

I found a bulk loader full of Ansco Super-Hypan, last made in 1967. After many development attempts and step-by-step improvements, I'm able to get usable, scannable, and darkroom printable (yes, really!) negatives. I'm use HC-110 at dilution B, and I add 45 drops (about 3mL) in my 400mL of developer. This works out to be 7.5mg/L of developer. Continuous agitation for 9 minutes is used to maximize activity in the highlights with the highly-restrained developer.

As someone who has been shooting and developing his own film since 1967 and then, because of a move, lost his darkroom, this Ilford film has been a Godsend. It enables me to continue shooting in B&W and use my trusty old camera. I get it developed at the local ...- and scanned, too, so I have the image in my computer, as well. And the results are, to my eye, superior to what's possible with a digital camera - rich blacks, sharp edges, great tonal quality. And as soon as I resurrect my darkroom, I will have some great negs to print.

I have been in the IT field since 1967. I dealt with IBM main frames and card punch machines. My first personal connection was a 50 baud acoustic modem paired to my home phone. As things got progressively more sophisticated it oft times got far more difficult. When I purchased the ZenWiFi AX (XT8) to improve my network I dreaded hooking everything up. It turned out to be possibly the easiest network set-up in all my years in the field. I am even more impressed with the overall speed of the network throughout the entire house. My 4K TV nows gets the needed speed to give me 4K viewing. My wife especially loves the small box with no antennas that sits unobtrusively on the kitchen sink behind a cookie jar. I cannot see how it can be improved.

Having done no film development of my own since back in 1967, I have nothing at the present to compare CineStill DF96 Monobath to. But I can say that now after using it to develop three batches of 4x5 bw sheets (four per batch) in a little Stearman SP-445 tank, I am quite pleased. This third batch came out wonderfully. Agitating continually for about five minutes with the solution at about 73 degrees F, and then a ten-minute post wash with a couple drops of flo was all it required. The negatives came out beautifully. The two earlier batches were learning events, but even they were passably good. I'll soon buy another supply. Simple and effective. I should soon try a multi-step process, with Kodak developer and fixer, but for now, I'll keep on learning with the monobath first. Here are the three most recently developed shots passed through LrC and SilverEfex. The fourth was meh, but that was my fault, not CineStills!

I purchased the Sony STR-DCH190 Stereo Receiver as a replacement for my 1967 Sansui 2000 with recently died. The Sony has meet or exceeded my expectations. I did have to refer to the user manual but was able to make all connections. I am very happy!