2004 Monte Carlo Rear View Mirror

These radios are amazing. Installed in my Jeep above my rear view mirror and I am stoked about it. It’s small enough to not be in the way but is great for communicating with fellow Jeep’s. I used the ghost antenna so that it didn’t get wiped out by limbs on the trail. I’m thinking of purchasing the 6db antenna to help increase my range. I feel you can’t go wrong with this radio! Will be purchasing another for my sons Jeep.

In the mid-1980s I bought a Nikon 7.5mm f5.6 circular fisheye. Being an older design (1966) its rear elements protruded into the mirror box. Fortunately my F3 had a hard physical mirror lockup. The external viewfinder for this lens attached to the camera on the original Nikon F/F2’s proprietary flash shoe. I was able to buy an AS-3 flash adapter for the F3. With the F3s mirror locked up I also had to use an hand-held light meter. With amazing depth of foield focusing was never an issue. The old zoom lens had six filters on a wheel. One was a skylight and the other five were strongly colored for B&W film. While I liked the circular results, using the lens was a hassle. I often had my shoes or forehead in the picture. On a sunny day, my images suffered from solar flares. My new Nikon 8-15mm AF-S fisheye has none of those old problems. It fits on my DSLRs without any problem. It doesn’t need an external finder or separate light meter. At the 8mm setting (and lens hood off) I get a circular image very much like the vintage fisheye. The new lens is faster and focusable. Like my 14mm f2.8 Nikkor, this zoom uses gel filters inserted in the rear of the lens. I really don’t like this arrangement. This fisheye is similar in weight and size to the 14mm lens. I am also not fond of the electronic aperture control first seen on G lenses. Without an aperture ring one cannot use this zoom on older cameras. At the longer end of the zoom range (12-15mm) the image fills the (FX) frame and lens hood stays out of the way. This image is similar to my inexpensive Bower (Samyang?) 8mm fisheye with its fixed lens hood (and DX coverage). So far I haven’t used my new lens much but I think I will like it.

I am using this in the style of Monte Zucker for portraits and tight group shots.

This works well as a head strap but it also works if you want to use it to wrap around something that may be easily scratched. This could mean the side view mirror of a car or maybe just to wrap around your pet. Over all, this product is one to have handy.

This rear cam is small enough to not interfere with your view out your back window. The picture quality is great!!!

This is my second dash camera from Garmin. I use it for a rear view. The size is phenomenal. It doesn't attract attention. Very good software. Voice commands are very well designed and functional. It syncs with the front camera and works very well with the parking cable. The image quality is pretty good.. Higher resolution would require a lot more disk space.

I have always been a fan of a blacked out rear so the Trij HD's have been my go to. The new HD XR's do the same thing with the added benefit of a better view of your intended target. B&H had the best price with quick shipping. Have continually been pleased with their service and pricing!

We rarely use the rear LCD and use the view finder most of the time. This makes viewing it much easier in bright sunlight and just snaps on to the camera. It will get in the way of your rear LCD. Works with our Sony A77 II. ~photosbymeta

Lo acabo de recibir y lo monte en un trípode Gitzo GT3542 Mountaineer...y estoy impresionado, se siente firme y muy estable. La construcción es excelente, creo que tengo Gimbal, para muchos muchos años. Es ligero, llegue a pensar que era pesado, peor no lo es. Lo recomendaría mucho a los fotógrafos de naturaleza que le apuesten a la estabilidad y quieran cargar menos peso!!!

In 1972 Monte Zucker, who introduced slave triggered off-camera flash with on-camera fill hired me as his apprentice. His trademark style was based on color wedding photos with a full range of detail and studio like lighting which he accomplished with a flash for fill over lens and heads of subject overlapped with in identical off camera flash positioned 45° to the side of the nose of the subject. I’ve used a bracket like this with every digital camera I’ve owned since 2000 and on every Canon body since 2004 with a DIY scoop diffuser. It creates a flattering “butterfly” pattern when used by itself and creates centered neutral fill when used in conjunction with an off camera key flash. A caveat about the cold shoe. It can tear-up the plastic foot the flash so it best to replace it with TTL off-camera cord or a wireless transmitter. I added arca-swiss clamp to mine to make mounting and unmounting the camera easier.