28 Wide French Door Refrigerator

The door really closes like a refrigerator, has a good seal. The glass door is strong and the operation of the humidity control is absolutely silent. In approximately 2-3 hours reaches the control of 40%�humidity with 1% oscillation only. Internal space totally free without technical cabinet artifacts.

our refrigerator is covered with them!

Have a high end refrigerator that is plug in into it, so far so good!

Even better than promised. Will try hooking it to my refrigerator.

Strong enough to hold up a refrigerator, I think. Fits perfectly, of course.

I have a canon rf 28-70 that is wide yet not as long as some zooms. This is a great fit.

Connected to my River, kept my portable refrigerator going all weekend

i use this to complement my 28/135 zoom lens that is simply not wide enough for a nice establshing shoot, i like the picturs this lens creates on my fs700 rig.

I paired this with a D810, and the sharpness and rendering in the central half is like no other Nikkor wide angle I have seen before - outstanding. At f/1.4, things fall off outside the central half, but in a very nice way. By f/2.8, things are really good out to the corners, and superb at f/5.6. There seems to be little field curvature and no focus shift upon stopping down. Compared to the other Nikkor wide angle primes (1.4 and 1.8), this really seems to be a leap forward. The 28mm FL is a bit of a change from the traditional set: My previous WA lens kit (from the D700 days) was the 14-24, 24 f/1.4, and 35 f/1.4. Moving to D8XX showed issues of focus shift with the 14-28, and wide open the 1.4's just did not cut it. The alternative, the 16-35, just had too many weaknesses. Bu, those lenses were quite a lot of weight to carry (harder each year ....). Trimming down now to this lens (28 1.4) and a Milvus 18mm (outstanding) works well in terms of simplification and a dramatic increase in sharpness/rendering for D8XX, especially wide open. I highly recommend the 28 1.4.

I'm a Sony FS7 user since the moment the camera came available. The original 28-135 lens was always good for any shot that fit my focal length needs. That meant interviews and anything requiring longer focal lengths. But I was always sad that I could not shoot amazing wide angle views or even good ones. A building, a sunset, even a wide interview, had to settle for an adequate shot with the 28-135. I've just used my new 18-110 on a week long shoot that included vistas of ocean, skylines, and great cathedrals. I found the 18 end to be just right and nearly amazing for most all of my needs. I would not have a complaint at all about using it for 95% of my wide and telephoto shots. I film often for travel features and it's great for all shooting on the move. For those times when I have more time and/or more people available to help me carry gear I will occasionally choose to use my Zeiss 18mm with a Metabones (yields a wider view) . Sad that Sony would not consider a trade in program for my old 28-135 or at least a discount for customer loyalty. But the 18-110 is a lens that I can be happy with immediately and for a long time to come. Wide shots from my first shoot with it are attached...