28 Wide Upright Freezer

I use this case primarily for my Canon 50D w/ 28-135 lens. I like the versatility with this case. I have plenty of room for the full body (upright) and 2-3 lenses, flat or upright, depending on the length of the lens, extra battery and charger. If I only take a couple lenses with me, I can just pop the foam back into the unused space for security. The fact that it can take a beating and is waterproof are definite pluses. I haven't found any negatives about this case.

These stands are built with quality and are very strong. Legs spread wide enough that keep it upright even at 12 feet high. Leveling leg is a must for uneven surfaces.

I use this in my studio with a b800 and a large octabox. The wide base keeps it upright and has never fallen over. Only compaint is that is kind of noisy.

I have a canon rf 28-70 that is wide yet not as long as some zooms. This is a great fit.

I now have 5 in assorted colors. Perfect for saving space in the freezer.

i use this to complement my 28/135 zoom lens that is simply not wide enough for a nice establshing shoot, i like the picturs this lens creates on my fs700 rig.

I paired this with a D810, and the sharpness and rendering in the central half is like no other Nikkor wide angle I have seen before - outstanding. At f/1.4, things fall off outside the central half, but in a very nice way. By f/2.8, things are really good out to the corners, and superb at f/5.6. There seems to be little field curvature and no focus shift upon stopping down. Compared to the other Nikkor wide angle primes (1.4 and 1.8), this really seems to be a leap forward. The 28mm FL is a bit of a change from the traditional set: My previous WA lens kit (from the D700 days) was the 14-24, 24 f/1.4, and 35 f/1.4. Moving to D8XX showed issues of focus shift with the 14-28, and wide open the 1.4's just did not cut it. The alternative, the 16-35, just had too many weaknesses. Bu, those lenses were quite a lot of weight to carry (harder each year ....). Trimming down now to this lens (28 1.4) and a Milvus 18mm (outstanding) works well in terms of simplification and a dramatic increase in sharpness/rendering for D8XX, especially wide open. I highly recommend the 28 1.4.

I'm a Sony FS7 user since the moment the camera came available. The original 28-135 lens was always good for any shot that fit my focal length needs. That meant interviews and anything requiring longer focal lengths. But I was always sad that I could not shoot amazing wide angle views or even good ones. A building, a sunset, even a wide interview, had to settle for an adequate shot with the 28-135. I've just used my new 18-110 on a week long shoot that included vistas of ocean, skylines, and great cathedrals. I found the 18 end to be just right and nearly amazing for most all of my needs. I would not have a complaint at all about using it for 95% of my wide and telephoto shots. I film often for travel features and it's great for all shooting on the move. For those times when I have more time and/or more people available to help me carry gear I will occasionally choose to use my Zeiss 18mm with a Metabones (yields a wider view) . Sad that Sony would not consider a trade in program for my old 28-135 or at least a discount for customer loyalty. But the 18-110 is a lens that I can be happy with immediately and for a long time to come. Wide shots from my first shoot with it are attached...

I have the 28-70mm Tamron f/2.8 but with APS-C I needed a little more on the wide end. This lens is PERFECT and has stabilization too! Really enjoy shooting with this lens!

f/1.4 means you can shoot indoors without flash on autoiso and get minimal noise. 28mm wide angle means you can shoot inside normal rooms or restaurants. That is why I paid a premium for this lens. If I shoot outdoors in daylight, I take the 35 mm/ summicron at f5.6 for optimal picture quality. Atf/1.4 there is considerable light fall of on the sides, which needs to be adjusted in lightroom. Also this 28 mm summilux lens is heavy and big by comparison to f/2.0 lenses. 35 mm and 55 mm give a very natural rendering of the subject. What you see in the view is what you get. 28 mm has a very, distinctive look because of the wide-angle nature of this lens. Environmental Portrait is the buzzword. I am starting to like it, but it is not as flattering on faces as a normal lens, and you have to be within 3 feet of the person to make this lens shine and enjoy the bokeh at f/1.4. That is very close.