35 X 30 Counter Depth Refrigerator

our refrigerator is covered with them!

I took a chance ordering this and I'm glad I did. I have a skywatcher eqm 35 which came with 2 11lb counter weights which are way too heavy to use when I was photographing with a dslr and lens. Luckily this weight fits the diameter of the counterweight bar and gives me proper balance wheb imaging.

I will be using it u/w at depth of 30 ft or less. Just the right size for my Kick LED light.

Have a high end refrigerator that is plug in into it, so far so good!

I was searching for years a way to get my 30 years old Comet PMT 1200W battery pack flash on the road with my DSLR for outside portrait. The Hasselblad (film camera at the time) allowed my to get a shallow depth of field because of the 1/500 sync and the medium format lens with a shallower depth of field than 35 mm optics at the same aperture. But with a DSLR syncing at 1/200 (Canon 5d series), if I wanted to underexpose the ambient light with a bright sunny day, I was ending up at f/11-16 not that much of a bokeh.. ; ) When I learned about the Phottix Odin II combo I gave it a try As usual I received my order in Canada way before expected (2 days..and it's free.. ; ) Unpacked the transmitter and receiver, read the instructionsthe older I get the more I read.. ; ) And without having to play with the ODS (adjustment to find your optimum high speed sync with another flash than Canon or Nikon), it synced my 30 years old Comet up 1/8000 right out of the box I went outside the next day to test it with a bright sunny day (B&H doesn't provide one on arrival of my gear.. ; ) and asked my kid to ride his electrical scooter as fast as he could..1/8000 later, I think I have a winner, big time ! Yes I'm sure that it won't be as crisp as a high sync speed Broncolor or another Elinchrom or whatever is now the king pin of flash duration, but for $400 it sure revive my 30 years old Comet that is now going for another 30 years of service ! B&H your rock !

I've rented the Metabones adaptor enough times where it made more sense to buy the thing, so I finally bought it and have zero regrets. For reference, I use it with a GH4. The price is intimidating for an adaptor but it gives me piece of mind. The M4/3 format isn't evolved enough for me to fully invest myself in the ecosystem, and there's been a flat look (read: lack of depth) with all-purpose Lumix lenses like the 12-35. I'd rather build up a collection of Canon full-frame lenses or APS-C lenses and have an arsenal at my disposal when I decide to upgrade to a cinema camera. One of the GH4's big weaknesses is performance in low light, and the Metabones goes a long way in fixing this issue. The much-praised Sigma 18-35, for example, gives you an f stop of 1.1 at the most open setting. This gives you room to work in darker areas and provides more opportunity for beautiful bokeh. Shallow depth-of-field is difficult to come by with the M4/3 format, after all. Only downside I guess is the occasional error, which is fixed by shutting the camera off and then turning it back on. You might lose a take at some point, but I've been lucky and this only happened once when I wasn't recording. Autofocus capabilities are possible but a little slow given the extra hurdle an adaptor provides. You shouldn't really be using autofocus for video, though. Overall, definite recommend. This thing is magical. The Panasonic GH4 is an excellent camera with more features than even some of the cinema cameras, which is why I opted to expand the GH4's capabilities with a Metabones adaptor + lenses instead of investing in a C100 MkII.

When installing short depth racks (30") in IDF closets or smaller data centers, don't forget that most 2U UPSes of 1500VA or more capacity are often 27" or more, which, with typical output plugs means you're almost out of clearance! These short depth (~ 19") series UPSes are just the thing, as they save about 8" of depth. Just make sure you have enough rack space for their increased height...

Even better than promised. Will try hooking it to my refrigerator.

Strong enough to hold up a refrigerator, I think. Fits perfectly, of course.

Prior to getting a Nikon Z6, I used the Nikon AF-S 18-35 G on my Nikon D750. I kept that lens to use on my Z6 as I need an ultra wide lens for group photos of political events. Now that I have the Z 14-30, the old AF-S lens will be sold or traded. The new Z 14-30 used on the Z6 provides a more useful wide angle capture is sharper; the color rendition of the files is noticeably better in my experience; in my use, I have found the edges to be sharp. The Z lens is just a tad heavier by about 3 oz so that is not an issue for me. With the recent Nikon sale price of the Z 14-30, the lens is a real bargain in my view. I highly recommend it.