8 Projector Screen

We use this projector screen in our church activities.

I installed them next to my projector screen and they sound great.

8 x Splitter works as described. Great unit.

Anyone looking to extend there monitor onto a TV screen or projector this is the way to go.

Using this to decode an NDI source to a projector in Church services with live stream. We previously were sending the Presentation Laptops screen to the OBS computer via NDI, and used a separate proprietary wireless video feed to the main projector. Got this so we can use the same NDI source for both and eliminate the wireless projector feed. It is working well. One thing to be aware of: the projector will display will go blank in a couple of seconds if there is no video and audio activity when using NDI Screen Capture as the source. This can be an issue during power points with static screens. You can set the decoder to keep the last thing displayed on the screen or allow it to go blank. I prefer it to go blank so I know something is wrong right away. You can also resolve by making sure the NDI Screen Capture is using an active audio source (like the microphone). This decoder has been reliable and is reasonably priced. Perhaps other decoders won't have the inactivity issue but they are also more expensive. This has not been a show stopper for us.

This thing worked great. This is just what I needed to get my screen up and another screen to my projector up at the same time in my sanctuary. This was great.

8GB SDRAM is much better than 4GB in my DELL desktop computer.

This screen assembles easily and can be done by one person. A great pairing with the Aaxa P6X projector.

First, 60W will probably meet your needs in a small video studio. I only use 2-8% of the output. Secondly, a standard modifier platform (Bowens' S mount), has saved me a great deal of time. The lower cost silent heads would only accept barndoors, gaffing tape and aluminum foil. Far Far easier to repurpose old modifiers or purchase new. Previously, I would have to retape the foil at inopportune times. SILENCE is critical for me. Recording a cast once correctly is worth all the post processing in the world. Nothing beats SILENCE.

It takes some getting used to. I always shoot it at EI 100. It has all the tonal range you need right there. It always requires underdevelopment though, anywhere from 8% -15%. The highlights blow out very easily, and this helps control them. Scratches easily, a bit softer than HP5. The lack of grain looks phenomenal at a large scale.