Akg P420 Project Studio Condenser Microphone

I bought the AKG C3000 primarily because I was looking for a decent condenser microphone, form a reputable manufacturer, within budget. I never expected a magnificent sound from this mic. But my expectations were surpassed considering the sound derived form the C3000. To begin with, this mic is solidly built in Vienna, Austria and looks elegant in black metallic finish. I use it with m101 preamp and the sound is clear and upfront. Given the price, it delivers a well defined sound. I am pleased!

I use the A53M on a pair of classic AKG-414B-ULS studio condenser mikes that I purchased used. I tried AKG's current shock mount for the 414 series, and it simply did not provide as good shock isolation as the A53M. The small size is also a definite plus.

Fits my microphone perfectly and seems solid enough for my project studio.

I have a project studio and record primarily acoustic instruments (Guitar, piano, various stringed instruments, hand percussion and vocals etc) Already own a set of Neumann KM 184's and an AKG C214 Large Diaphragm but have always had a fondness for the AKG small diaphragm sound ever since I started out years ago with a Vienna made C1000 (which I still have and love). I wanted another small diaphragm option and the 451's deliver big time. To be totally non technical I would describe the AKG's sound as open and airy especially on fingerstyle acoustic guitar. I tell people think of the old Windham Hill guitar sound. (yes I know they used Neumann's too). You will not go wrong with this mic if you play acoustic music.

bought this for a small home project studio. Very cheap for 2 condenser mics. A/B these mics against shure sm27 condenser. Both me and my kid liked the 2020 better, felt it was clearer and more realistic sounding on both voice and acoustic guitar. The 2021 sounded thinner with less bottom end. We'll use them on drums, guitar cabinets.

I don’t use this on an AKG. For me, this little clown nose is perfect for my Sennheiser 416 microphone. I work this microphone close-up. A conventional nylon stocking-type enormous circular windscreen doesn’t allow me to have a proper view of the script I am performing. This little pop filter is expensive but superbly addresses my need. A studio in Hollywood has been successfully using this on the Sennheiser 416 for three decades. When I must record in another studio I have this in my pocket.

Clarity is key, it is one of the closest solutions you can find without purchasing a studio condenser microphone, yet it does have the ability to host such a microphone if necessary in production. Pure genius!!!

Looks as professional as you can get when coupled with the C01U Studio Condenser Microphone. Perfect for digital vocal recording.

Sturdy microphone stand purchased to hold a heavy condenser microphone in a studio environment. Gets the job done, and as a 5'8 guy, it is able to adjust to a great height for recording vocals while standing.

connecting the condenser microphone, quite functional