Are Iphone 8 Headphones Waterproof

I was concerned that it wouldn't hold my iPhone with its Otter-box Waterproof Case but it did.

8 x Splitter works as described. Great unit.

I use it to connect my wired headphones to my new iPhone. Works great!

I use the Overboard Waterproof iPhone case everyday ( in conjunction with the camera float and my GPS tracker App) on my SUP paddles / workouts. The large viewing window let's me track my speed and progress while stand up paddleboarding with the confidence that my iPhone is safe and secure. I love the safety of having my phone with me on the water should I need it - and the pictures I take through the bag come out great. Knowing my phone is safe from water damage, and highly visible in the OB case is a comfort.

I mishandled my Aftershokz, so I replaced them with the mini size of the waterproof design. I love these new headphones! I am so glad I got the mini size. I never felt like my old ones fit poorly, but these fit so much better, and they are so light! The sound is excellent, and I can still have a conversation and hear my surroundings while I'm wearing them. I have a little trouble managing the controls (I think I double-press too quickly), and the microphone doesn't seem to work as well as it needs to for phone conversations (people say my voice sounds muffled), but for what I use them for most of the time, they are perfect.

8GB SDRAM is much better than 4GB in my DELL desktop computer.

Use to connect iPhone to mixer and mic and headphones. Works perfect so far.

If you have mic'd headphones, then this TRRS is useful for monitoring and recording on a lightning input iPhone.

First, 60W will probably meet your needs in a small video studio. I only use 2-8% of the output. Secondly, a standard modifier platform (Bowens' S mount), has saved me a great deal of time. The lower cost silent heads would only accept barndoors, gaffing tape and aluminum foil. Far Far easier to repurpose old modifiers or purchase new. Previously, I would have to retape the foil at inopportune times. SILENCE is critical for me. Recording a cast once correctly is worth all the post processing in the world. Nothing beats SILENCE.

It takes some getting used to. I always shoot it at EI 100. It has all the tonal range you need right there. It always requires underdevelopment though, anywhere from 8% -15%. The highlights blow out very easily, and this helps control them. Scratches easily, a bit softer than HP5. The lack of grain looks phenomenal at a large scale.