Avc Meaning On Karaoke Machine

We use it mostly to connect SM58 to Pioneer Karaoke machine and match the impedence. Works great.

I bought my wife a Karaoke machine for Christmas which was two 1/4 microphone inputs on it. I was thinking how cool it would be to have wireless mics so people could hand them off as songs changed, instead of being limited by a cord, and having to swap seats. The WMS40 fit the bill PERFECTLY. I was a little concerned, with the low price, that the quality wouldn't be there, but the system is static free and sounds GREAT! I used balanced 1/4 cables (pulled from patchbay) to connect the microphone base unit to the Karaoke machine. The distance from the singers to the base unit is under 30 feet so I can't speak for the range of the unit.

I needed something fast for a public talk and I have no expertise in AV. This is basically a karaoke machine with 2 mics, super fast set up and was good to go in 5-10 minutes. It is completely adequate for speaking engagements. The speaker is a little larger than I would have liked but it was a good purchase for novices who just need to get up and going asap.

[This review was collected as part of a promotion.] I put these in my daughter's karaoke machine and it had provided exceptional life to the electronics!

It's just perfect for what we need. Sound cranks. The microphone makes it an instant karaoke machine. Just great device.

5 stars! Stable and very easy to adjust level with slider on.

use for karaoke

I use it for karaoke

This is the mixer to have if you enjoy Karaoke.

Had this since release and think it's an incredible piece of gear. For day to day stuff ( news, web... ) the built-in XF-AVC looks terrific at HD and UHD... not joking. We use a Canon Cine Zoom for this and the camera's native 800 ISO works in nearly every lighting situation. Bumping it to 3200 causes no problems at all either. When you need a bit of extra impact throw on a Canon prime and switch to the internal 4K 12 bit RAWLight which imports, plays and edits natively in Premiere and FCPX no rendering to transcoding, and can be graded to your hearts content! Looks stunning. OK- you have to render the color work! ;-) If you must have an intermediate format ( eg4:2:2 10 bit 2K or 4:2:2 ProRes UHD ) you can record externally with the either the SDI or HDI outputs depending on what you want. As a camera the C200 has built in ND, tons of mappable buttons for ISO,Peaking, Waveforms, Guides, Focus assists ( the Canon Dual Pixel touch screen auto focus with adjustable rack speed is great )..color bars!, plus dual XLR analog and digital audio inputs plus an extra 2 analog channels on a 3.5mm mini jack. The batteries run all day ( we got the larger BP-A60 )... there's not much left wanting in our use case. Some folk might get niggly about some configuration restrictions like not being able to record 4K RAW, UHD AVC and monitor on a 4K monitor all at once. But most of those end up being a 'why would you want to ? ' scenario. For us anyway. Plus theres other features for the nerd, like 120 fps HD,Interval recording, time-lapse recording, WiFi remote control via an iPhone app, better than average file naming and metadata input... on and on. Unless you need Timecode and Genlock or the ability to load custom LUTs in camera or a 6K sensor ... in which case you wont even be looking at this unit.. the C200 is a great choice. Maybe even a bargain!