Baked Shredded Cheese Without Parchment Paper

These are large enough to cover the lights but small enough not to be a hassle. I separated them easily thanks to the parchment paper separating them and the sleeve was great to keep them safe in storage.

Being separated by parchment paper made it easy to separate them to work and they came in a plastic sleeve to protect them as well. Worked perfectly.

Unlike some shredded paper that is crinkled, B&H shredded paper is non abrasive, perfect for packing fragile glass items.

Without a protection plan, you gear is a paper weight if something happens to it.

I use it for a mount for my cheese plate.

Without any doubts, Pro Platinum Photo Paper by Canon is the best quality item in the market. The packaging (which you face at the first time) itself is extremely luxurious and professional. The thickness of a paper is very satisfying that it almost feels like a good-old-film-based picture. The glossy coat on the surface is also stunning and the most importantly, the overall result after printing was outstanding. No matter what, this is the best photo paper for your choice especially you have Canon printer.

Perfect and am using with the cheese plate on rails.

V-log is incredible! Some have criticized it's performance when used internally or how it only uses a portion of the available range but I have found it to be exactly what to expect from a log format. Yes it uses less range but that is so it can give more headroom for grading. See a log format isn't just a profile you slap a LUT on and there you go. Using V-log and the Panasonic LUT just seems kind of silly because you are ending up with footage not much different than a baked in camera profile. That defeats the entire purpose of shooting log which is to have the ability to create a look in post. To me log is similar to raw in how it should be approached. We shoot log to shoot as flat of a profile as possible so no look is baked in. You can then adjust the look in post. If you don't want to shoot with a look in camera and prefer to dial in your look in post then V-log is a great way to do that, just like shooting raw. If one doesn't like to grade the color then don't use V-log or raw. V-log is about having that post flexibility and if you don't want that then don't shoot V-log. V-log internal is a bit thin but it really depends on how you shoot with it and what you consider acceptable artifacts in a H264 shot. No matter what H264 8bit is a bit thin for any log format. It can still be used but it isn't optimal and it could have artifacts. The benefit to how V-log is designed however is if you do record externally at 10bit (which is something no other DSLR can do by the way) You have an almost raw like level of grading potential on the material. You still have to white balance and that gets baked into the material but you have such a flat image that the sky is the limit.

Used it for a few shots of baked goods with my Pixel 3XL phone. Very nice light. Plan to use it for close-up photography and possibly some macro shots.

Without test prints, it would have been an expensive endeavour to buy one type of paper at a time. This was a great way to run test prints (I ganged up 4 different photos for my test: a black and white portrait, a landscape and two other options) and see exactly how each stock works. I've seen people complain about there being labels on the back of each sheet, I, however, am grateful they are labeled, as it would be easy to mix them up otherwise. Now I know exactly what paper I want and have placed a big order with confidence.