Band And Orchestra Instrument Pictures

I use this stand (one of five) for overhead miking various orchestral instruments and sections. It is tall enough, with the boom extended, to cover the high winds and strings in a band/orchestra, to supplement a center stereo pair and give better balance with the back row brass and winds. It is skinny enough to be unobtrusive placed in the middle of an orchestra or band. I found a suitable swivel at B&H to hang a stereo bar from a horizontal boom. A boom helps keep the microphones out of the way for video. If you don't need a 9' reach, the 40 reach of this stand might do the trick.

I purchased these for use as microphone stands for recording band and orchestra ensembles. They are fantastic, and the locking feature for transport makes it so nice to take them in and out of gigs.

I have used this mic for the first time for an on-location recording of a choir, band, and orchestra. I can verfy all the claims that Royer Labs make for this product. The sound is gorgeous - silky smooth and so accurate. The stereo image and location of individual instruments therein is absolutely uncanny! It is every bit as good as any recording I have ever heard from major studios. The crossed figure eight pickup pattern gives great ambience to the sound - you just have to hope your audience is quiet if you are recording a live performance (an acceptable tradeoff, I think). And, of course, being a ribbon microphone, you have to be sooo careful with it. It comes in a double case with a very well designed isolation mount included, a 25' 5 conductor cable, and a suitable 5 pin to two 3 pin XLR adaptor - all you need.

Wow, this works really well. I bought it for the band at our church. Makes it very easy for someone who plays an instrument and sings to have a decent in-ear monitor without spending a fortune. Very solid all-metal construction. Setup and use are very simple; the diagrams & labels silk-screened onto the top make it easy to see what should plug in where. As a nice additional touch, it doubles as a direct box for the instrument input. I highly recommend the optional MSC106 mic stand adapter if you're using this on stage. Only drawback is that you need a long cable or an extension for your ear monitor / headphones. If you mount this on a mic or music stand, you don't have a lot of room to move. We'll be buying a mix of these and the 1-channel PM50s to move our whole band to in-ear monitors.

We use a snake combining vocal mic, instrument mics, D.I.s, and monitor cables for each band member, running to their area of the stage from the stage digital mixer, and this product makes it easy to customize those changes and change out cables when necessary.

If anyone in your band wants more me control of their in-ear foldback for both their vocals and an instrument (or two instruments), then this is THE box for them! Ok so it costs more than the 2 channel competition, but this has the essential 3rd channel the others lack, plus an integral stereo DI box, so the total cost is much the same. What is really nice is the way it can be set for mono or stereo inputs on both the instrument channel and the main foldback. The cct diagram even contains instructions to convert the mic channel for line level inputs. A really useful box, and a much better buy in real terms than the competing products, for use by real musicians!

If you're at all interested in The Orchestra just get it when it goes on sale. It's awesome.

If you work in the orchestra field, these reverbs are mandatory.

I use this lens for Band pictures, and it is great. I can get closeups that are clear, even with motion, and it is simple to operate.

This device used by professional flute musician, she work in orchestra.