Bargain Guitar Case For Fender Telecaster

The cord on my Fender Guitar Amp is only about 4 feet long so I am limited as to where I can place it. This 10 foot heavy duty cord lets me place my amp almost anywhere now. It also handles the voltage and amperage which my amp requires.

I vacillated over which mic I should buy to pair up with my acoustic guitar and my Fender Acoustic Junior amp. This turned out to be ideal.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

Don't be put off by the bargain price, this is a wonderful amp mic, period. The RSM5 is impressive sounding on guitar amps or speaker cabs. In that application, it's better combine the RSM5 w/ another non-ribbon mic, like condenser or dynamic. I get great results combining RSM5 with a ShureSM57. The RSM5 adds a delightfully smooth, warm low end girth & the SM57 adds presence, cut and sparkle. Experiment with positioning the mics on the speaker cone. As with all bargain ribbon mics, be sure to check your RSM5 for loose ribbon tension before keeping it. Google the issue and how to do a test. The tension inside mine was perfect out of the box. The RSM5 takes EQ great, yet doesn't need much to fit into a mix. It's very low noise. I have not yet really tried the RSM5 on other sound sources. Like all passive ribbons, this one needs lots of preamp gain or a mic booster to get a good level with quiet sources. With a loud source like guitar amp, that's not an issue with the RSM5. The preamps built into my Steinberg UR44 interface are more than powerful enough to get great results with Nady RSM5 on amps. I even briefly tried it on my male spoken voice, for which the preamps had to be turned up quite a bit, but I think even that would work without any extra preamp booster. I suspect that on quieter voices, or acoustic guitar from a distance, you'd need a gainier preamp, or FETHEAD or Cloudlifter to get a good level with the RSM5. The RSM5 has presentable build quality, and it sounds much, much better than I imagined, especially at this price point. It's downright unbelievable! I love the tones I am capturing having this mic as part of the mix. I have been playing music seriously for 40 years, and am fanatical about good tone. Nonetheless, given the great results with the RSM5, I could not justify the extra cost of the high end ribbon mics.

Materials are on par with Fender cables.

Excellent! It does everything I need and more for my pedal steel and telecaster setup, and built in effects can so easily be added or backed off on the fly. Now to see if it can last, being a pretty cheap mixer Ive read varying reports on Behringer, fingers crossed...

The guitar case was exactly what I need for my upcoming European tour, and it's even better than I expected.

The case is very nice, very well made. It fits my guitar perfectly! Thanks B&H!

I like the latches better than Pelican and the overall case is a bargain at the price. I would recommend any Nanuk case to someone.

It's got a metal case and feels heavy duty. It does what it's supposed to do. I think this is a great bargain.