Baritone Guitar Jazz

I used the Fat Head to record my latest composition, a Jazz acoustic guitar duet. The sound was very warm, like you would expect from vintage equipment. I have not found anything not to like about this microphone yet.

For small combo work with a hollow-body jazz guitar, this amp has a great clean tone and in small rooms plenty of power even at its 40 watt rating. It must be extremely efficient because I have yet to go beyond 1 on the volume.

I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.

I love it! It's just what I needed for that extra jazz in my photo's.

For jazz, electronic, folk and funk this speaker ROCKS!!!

This bag is good quality, fits my Kala Baritone Uke SCAC-B perfectly and the sides stand up, so it doesn't collapse too flat, offering more protection.

I sing and play a baritone ukulele at senior living centers, many of which have no sound systems at all. The Pyle Pro Amp system is perfect. I have a contact mike on my Ike that I plug into the mike input of the amp. The volume is adjustable and the sound is strong and clear, with no hum or feedback. I use the wireless headset for my voice, whose volume is independently adjustable. It’s a little tricky to adjust the headset for the most natural sound (without howling or a tubby, echoing sound), but once you do, it is stable and sounds fine. I typically run on AC line power, but have run on the recharable battery on occasion, and it worked perfectly throughout a 1.5 hour set. The bass range of output is relatively weak, as might be expected given the size of the unit. But given the features, and performance, it is a tremendous bargain!!!!!

I am a professional opera singer, and I want to capture my bass-baritone voice in a small space without it sounding too crisp and treble heavy. This mic captures my full spectrum with a nice warm natural quality. I'm improving my placement and studio space so I can add reverb to simulate the large halls that are best for operatic voices. The mic is very sensitive and picks up well at 12-18 away without much room noise. It sounds like me when I'm listening. It's connected to a Tascam DR44w recorder with 48v. The build quality is very nice, but I am always gentle with it and mindful of storing it upright because of the fragile ribbon.

I have been recording extensively with this microphone from bass/baritone male voice to female delicate voices, needless to say it's a highly detailed response for this price range, it's flattering in most tones without coloring too much your sound, it's been a joy to use and I seriously considered purchasing other models but couldn't be happier with my choice. Thanks Audio Technica and B&H for outstanding structure and in-store service that made me do a good choice for my needs

I am a Baritone/Tenor hybrid, and this mic is the best I have used for live performance. I use flat EQ on the board and rely on the response curve of the mic, as well as the shape control on a TC Helicon T1 To EQ my voice. I am absolutely thrilled with the noticeable improvement in clarity and definition over the EV N/DYM 767 or the Shure SM57/58. Of course, it costs over twice as much as these mics, but my voice is my meal ticket and this is worth every penny. Plus, the Telefunken M80 is superior to any other dynamic mic I have used at ANY price. It gives me the Hi-Fi qualities of a condenser mic with the Great durability and feedback rejection of a dynamic mic. Buying the gold-plated version was a bit of an indulgence on my part, but it looks gorgeous!