Baritone Range On Guitar

5 stars! Stable and very easy to adjust level with slider on.

Light weight and very comfortable with very large range when used as a monitor with my guitar amp

I did extensive research after owning a Bose L1 compact and a turbosound ip500 (sold them both). I was looking for something in the $1000 range for DJing and acoustic gigs and came across the LD MAUI 11 G2. �On paper its specs are substantially better than the Bose L1 compact, and in real life AS WELL!!. � The Bose L1 compact has a wider coverage and the tone match for guitar allows to bypass an acoustic pedal for your guitar if needed, thats it. In EVERY other aspect the LD maui 11 g2 is better. �Having designated tweeters allows it to hit notes high in the 20k Hz range. �Bass is deep as well, much deeper and louder than the L1 compact. One can totally tell the difference between the wooden cabinet of the LD vs. plastic of others. Guitars and voices sound superb. �Dance music (latin, disco, rock, hip hop, raeggetton) is very tight and appropriate for a crowd of 40-50 people (more if used with a separate subwoofer). �As far as acoustic gigs (guitar and vocals) Id imagine it would cover a much larger crowd. �Also, the construction is superb! looks and feels extremely well built and professional! � The bad is feedback in the hi-z input when plugging in your guitar directly. �However if passed through a little mixer and going through the line input no feedback was present. � Overall excellent product!!!

Went to Guitar Center and tried on some contenders - Sennheisers and Audio Technica, in the range of $150 - $300 - They all felt like they were crushing my head. These Sony's (or which I already owned 1 pair) are the only ones I can stand for hours at a time. Super light and just really comfy. Nice little bag to keep them in and they're also MUCH smaller to pack and travel with than the others, a big plus when packing for a flight for example! Just really great. Only flaw - I anticipate the earpiece covers may start to flake (my others did) but even if that happens I'd still opt for the comfort of these cans. If SONY could solve that issue they would have 100/100 of my vote. Right now it's 95/100.:)

This product is an incredible value. There is not one mic on the market in this price range that can perform as well as the Fat Head, but you get 2 of them! I have used these mics in many scenarios, and it never disappoints. Whether you're micing acoustic guitar, piano, electric guitar amplifiers (use a pop filter), drum overheads, or as a room mic, the Fat Head will be one of your first picks.

you may be surprised but RE50 is my favourite for micing guitar amps. it's freq range from 80Hz to 13kHz gets me what is all vital and necessary sound. it works not only on very noisy and crowded stage but also in a recording studio as alternative/2nd sound source.

This bag is good quality, fits my Kala Baritone Uke SCAC-B perfectly and the sides stand up, so it doesn't collapse too flat, offering more protection.

I sing and play a baritone ukulele at senior living centers, many of which have no sound systems at all. The Pyle Pro Amp system is perfect. I have a contact mike on my Ike that I plug into the mike input of the amp. The volume is adjustable and the sound is strong and clear, with no hum or feedback. I use the wireless headset for my voice, whose volume is independently adjustable. It’s a little tricky to adjust the headset for the most natural sound (without howling or a tubby, echoing sound), but once you do, it is stable and sounds fine. I typically run on AC line power, but have run on the recharable battery on occasion, and it worked perfectly throughout a 1.5 hour set. The bass range of output is relatively weak, as might be expected given the size of the unit. But given the features, and performance, it is a tremendous bargain!!!!!

I am a professional opera singer, and I want to capture my bass-baritone voice in a small space without it sounding too crisp and treble heavy. This mic captures my full spectrum with a nice warm natural quality. I'm improving my placement and studio space so I can add reverb to simulate the large halls that are best for operatic voices. The mic is very sensitive and picks up well at 12-18 away without much room noise. It sounds like me when I'm listening. It's connected to a Tascam DR44w recorder with 48v. The build quality is very nice, but I am always gentle with it and mindful of storing it upright because of the fragile ribbon.

I have been recording extensively with this microphone from bass/baritone male voice to female delicate voices, needless to say it's a highly detailed response for this price range, it's flattering in most tones without coloring too much your sound, it's been a joy to use and I seriously considered purchasing other models but couldn't be happier with my choice. Thanks Audio Technica and B&H for outstanding structure and in-store service that made me do a good choice for my needs