Bass Preamp With Electric Guitar

I love how lightweight and sturdy this guitar holder is. I have 2 bass and 1 electric guitar and they rest on there perfectly and secure. I no longer have to resort to leaning my axes over my couch and have the fear of watching them tip over and hit the floor hard.

Works great , bought it for my electric guitar.

Cool gadget when you have to practice on electric guitar - quietly !!!

Works great for my purposes...electric guitar

I use this for my electric guitar pedals that have USB on them for connecting to my computer.

My son replaced his Yamaha electric guitar stand with this.

Solid tuner for electric guitar.� Large easy to read display.

I kind of cheated. I used a Mullard (National electric of India) 12ax7 instead of the stock tube, which i hear is very nice. This preamp simply outperforms my Schiit audio Saga. It has all of the nuance and detail, but an air and slight lushness/warmth that others lack. It does anything sonically my former Quicksilver tube preamp did, but better for a fraction of the cost. This is a low cost/high end sounding product...full stop. So, support American jobs, experiance high fidelity and get a Bellari PA-555.

I bought this device in order to mix my acoustic guitar preamp, which requires phantom power, and my electric guitar. I can match the respective output levels and process a single signal or pan them stereo and process separately. Works perfectly for my application. Haven’t used the USB interface. Not sure if I ever will. I was also surprised at how heavy it is. Time will tell how robust the components are, but the chassis is very solid and has the feel of piece of pro gear.

Don't be put off by the bargain price, this is a wonderful amp mic, period. The RSM5 is impressive sounding on guitar amps or speaker cabs. In that application, it's better combine the RSM5 w/ another non-ribbon mic, like condenser or dynamic. I get great results combining RSM5 with a ShureSM57. The RSM5 adds a delightfully smooth, warm low end girth & the SM57 adds presence, cut and sparkle. Experiment with positioning the mics on the speaker cone. As with all bargain ribbon mics, be sure to check your RSM5 for loose ribbon tension before keeping it. Google the issue and how to do a test. The tension inside mine was perfect out of the box. The RSM5 takes EQ great, yet doesn't need much to fit into a mix. It's very low noise. I have not yet really tried the RSM5 on other sound sources. Like all passive ribbons, this one needs lots of preamp gain or a mic booster to get a good level with quiet sources. With a loud source like guitar amp, that's not an issue with the RSM5. The preamps built into my Steinberg UR44 interface are more than powerful enough to get great results with Nady RSM5 on amps. I even briefly tried it on my male spoken voice, for which the preamps had to be turned up quite a bit, but I think even that would work without any extra preamp booster. I suspect that on quieter voices, or acoustic guitar from a distance, you'd need a gainier preamp, or FETHEAD or Cloudlifter to get a good level with the RSM5. The RSM5 has presentable build quality, and it sounds much, much better than I imagined, especially at this price point. It's downright unbelievable! I love the tones I am capturing having this mic as part of the mix. I have been playing music seriously for 40 years, and am fanatical about good tone. Nonetheless, given the great results with the RSM5, I could not justify the extra cost of the high end ribbon mics.