Bbc Learning Zone Percussion Instruments

This is a work horse mic used by every sound engineer to record any type of instruments:brass, percussion, etc.

I bought this lens for street photography, assuming that zone focusing would be a snap. It is not. There is definitely a learning curve. Now that I own it, I find myself using it for other applications, mostly wide open. Focus peaking works flawlessly. It is not a clinically sharp lens like the new Fuji 23mm WR. But it has a lot of character and produces a dreamier image.

We can now hear the conversations even on BBC without turning up the volume

the E-Percussion Module Mount by Alesis is the perfect part i was looking for....

Great for BBC Radio 6 music and streaming from Apple Music and Qobuz.

It's a 5 on the Zone System scale!

Great for Vocal and Instruments!

I have had these for probably 15 years, and, in today's world, I purchased more. There are three different sounds/channels. Each channel can monitor 3 sensors. One zone monitors my garage, one zone monitors my boat, and one channel monitors my parking. The parking alarm went off last month and I caught a guy in my F350 trying to steal it. The cops wouldn't come out just for that, so I chased the guy off with a shotgun. He did NOT get the truck. These saved me a ton of money just on that incident. Had not been alerted, I would have lost my truck. The same guy got my neighbor's F350 the week before. Security footage was available for both incidents. I just changed a battery the other day. the old one was installed 6/2018. Like I said, these are great. The only improvement I would like to see would be a Zone 1 or Zone 3 annunciator instead of the chimes. It took me a minute to wake up enough to figure out which zone the chime represented when the guy was in my truck. Had I been down there quicker I probably would have had a bloody perp for the cops to haul away. They probably would have come out for that.

Have used their cases for years and never had a problem. Strong and does exactly what is required to do. Film crews, production houses and the BBC can't all be wrong - they all use Pelican!

Biased Brit I may be, but I came to love this fine mike at the BBC where it was designed in 1953. I'm now a voice actor, and use an NT1A capacitor to punch through music and effects, but turn happily to my Coles for narration and anything else that needs smooth, warm, natural repro 'with a smile'. Because I know producers are used to capacitor sheen, I use a touch of high-top EQ with the Coles although it is flat to 15k. It does come with a very odd fifties plug-base, so you are wise to buy the adaptor that fixes it to a modern stand, but I managed to wedge mine into a standard cradle. A surprise was the ribbon's ability to minimise external traffic rumble. Musician friend highly impressed by rendition of his saxophone.