Best Camera For Filmmaking

I use it as monitor for my filmmaking job and I love it! Best quality at a reasonable price.

Best bang for your buck filmmaking camera out there. If you know how to use these correctly, the image you'll get is unmatchable for the price point. I got three for our style of work and they've been fantastic. The internal ND filters, the two mini-XLRs, the internal RAW recording, the inclusion of shutter angle, the variety of storage options, and the easy-to-control user interface make these Pockets untouchable at this price point. If you want autofocus and low-light performance, get a Sony. Otherwise, learn to use focus peaking and how to light correctly, and you'll make magic happen, baby.

i use this product in filmmaking.

Best camera ever!

Best camera for me!

Great addition to any filmmaking rig!

this is a must have for DSLR filmmaking in bright situations.

on an FX3, this is an amazing combination for docustyle filmmaking. the FX3's great low light ability turns the f4 aperture a non-issue, and the lens is quite light and small. for video this lens is very modern: it autofocuses masterfully and silently, it's practically parfocal and does not have any issues with breathing. with the modern Sony camera's ibis the lack of OSS is not at all a proboem and with the FX3 the 'controlled' camera shake with active stab and this lens makes it very naturally looking. i wholeheartedly recommend getting this lens if you're looking for a very powerful yet compact and light solution for your FX3 or similar.

If you want to do pro level photography/filmmaking but do not have thousands of dollars to invest in a camera and lenses, I strongly recommend the RX10 mk4. Check out Wildlife Filmmaking 5 on YouTube for stills and video shot with the RX10.

This camera is one of my workhorse for narrative filmmaking. The key to any camera is knowing it's limitations and how to work with it. I've used this from bright sunny days to low light night street scenes and of course with the right lighting and exposure, the URSA Mini Pro 4.6K G2 has 15 stops of dynamic range I can work with. I'd shoot with this camera over the URSA 12K when I don't need anything more than 4K to deliver. Best of all, the BRAW is so flexible that I can match shots with other more expensive cameras including the ARRI Alexa, which on some productions, we do so. This is currently the only cinema camera from BlackMagic Design that is approved on the Netflix Original films list of approve cams.