Best Guitar Amplifier For Blues And Jazz

Great with jazz music. Listening to "All Blues" and "Maiden Voyage" and feeling them on another level! These speakers exceeded my expectations and improved my enjoyment of music.

All the sound is fuller, noticeable in all musical genres. Classical, jazz, rock, blues,country,

I play drums in a Blues / Jazz jam band. I needed a simple stand for a Shure SM57 microphone to record the kick drum. Other short stands with a boom have to be contorted to line up with the resonant head's port hole (8 from floor to dead center). Coupled with a standard Shure mic clip, the Auray stand is perfect! The weight of the base is substantial and the price is right.

Best guitar interface

I used the Fat Head to record my latest composition, a Jazz acoustic guitar duet. The sound was very warm, like you would expect from vintage equipment. I have not found anything not to like about this microphone yet.

For small combo work with a hollow-body jazz guitar, this amp has a great clean tone and in small rooms plenty of power even at its 40 watt rating. It must be extremely efficient because I have yet to go beyond 1 on the volume.

I'm a jazz guitarist playing an 8-string classical guitar that goes higher and lower than a regular guitar. It has a K & K pickup and I my amp is a JBL EON powered speaker, which, for this instrument sounds better than any jazz guitar amp. I have used the Zoom A-3 preamp as well as an L.R. Baggs Venue DI. They are both very good but I'd say the Grace Alix is the best I've found. It has great features you can read about but I must say that the sound of my guitar with the EQ set flat is strong, clear and simply amazing! It's very well thought out. Worth the price.

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.