Best Open Back Studio Mixing Headphones

I have had these headphones for almost 10 years. In these 10 years, they have been THE BEST headphones I have used for mixing. I have used a bunch of headphones and studio monitors in that time, and nothing has beat them out, not even the infamous Sony 7506 (given, cheaper, but more prevalent headphones in studios) Things to note with these headphones; they are not super low end present. If you are getting these to listen to consumer music, you may not like them because they are not "boomy" or "full". These headphones are for users who are looking for definition and clarity for making a solid mix. The other note is a MINOR complaint; the part of the headset that rests on the top of your head/hair has worn out for me. The muffs also wore out, but I replaced them. If there is a way to replace the foam under the band, please let me know because I would love to have them looking brand new again. I broke the cable that came with the headphones by accidentally vacuuming it about 2 years in (stupid, I know), but the detachable cable saved me some money. Also nice if you want to swap out different size cables. I would highly recommend these to anyone looking to invest in headphones for studio mixing.

I use this model for monitoring and mixing in my studio. These headphones are the best I have ever used and goes right along in the same category as the SM57 microphones. Best sound and amazing price for the performance!

I'm a mixing and recording engineer, and record producer.I've used these headphones for mixing and listening. I also know of mastering engineers that use them for mastering.What's great about them:- Comfortable to wear for extended periods of time Their open back design along with the design of the cushion prevents the ears from getting sweaty or overheated and doesn't press on your head too much. - Doesn't sound as boxy as the average headphones, again because of the open back.- In my comparisons was only beaten (sound wise) by the Sennheisers 800, or the AKG K812, both between X2 to X4 the price.- Because they're about $ I'm not afraid to use them or take them with me. It's not small money but I can confidently use them as I please knowing I'd be able to afford a replacement should something happen.What's not as good about them:- Open back comes with it's own drawbacks - can't use these in the live room as much if at all, they're noisy to the environment (if you're next to someone sleeping or in public) and the environment is nosy back at you (though this can be useful if you need natural sound to come through headphones).- They're not small, for carrying around. But I'd take sound over this comfort any day.These are the best I've heard in this price range, and I've tested a lot of companies thoroughly.

Great headphones...I use it for mixing in my home studio and I love the sound clarity

These are an excellent pair of monitoring (I even do some light mixing with them) headphones. I got an open box set that made the price point even more attractive. While pretty comfortable, I do still find ear fatigue becomes a problem after an hour or two at the desk. (But that just encourages you to stand up and take a walk, anyway.)

I have been reading about these beauties for some time. I have a home studio with no shortage of high quality headphones for tracking but they are all closed-back style for noise isolation. Many pros insist that open-back headphones are best for mixing because of accuracy, a lack of bass buildup and reduced ear fatigue. Although the HD600s are advertised as "audiophile" phones, I have repeatedly seen them reviewed as being some of the most accurate units around for professional mixing as well. B&H had them on a special and I took the leap. When they arrived, like all new transducers, they were a little stiff and needed some breaking in. After running music�through�them for about two days, they really opened up. Now, I totally agree with the reviews I've seen. These babies are spot-on accurate. There is a slight bass boost which would be distracting if these were closed-back because the energy couldn't dissipate but with the open-back design it's present but not really noticeable. What really shines with these are everything above about 50 Hz which is ruler flat all the way up. I use SonarWorks Reference to fine tune the response and the "averaged" response compensation curve for the HD600s is within 3 dB through the mids and highs - the flattest curve for any phones modeled in the software. OK, now my ONLY gripe is that they have separate wiring to each earcup rather than the more conventional single sided cable input but that's a minor thing compared to the amazing sound. If you're serious about mixing and need accurate headphones, these are the ones.

These headphones have many good reviews from pros who use studio headphones for mixing and editing, many recommend M40x rather than the more expensive models. I am not experienced enough to evaluate them like a pro, but I will say that they seem to pick up sound very accurately - they are not noise cancelling though, but I think noise cancelling headphones are a lot more expensive. If you have a small head (like I do) they fit perfectly and are very comfortable. The included coiled and longer cables are a nice bonus.

Purchased 2 years ago and use for both live performance soloing, personal listening, and some studio mixing. These headphones are very durable and comfortable, but the sound quality really sets them apart. They transport me into whatever I'm listening to. Combined with a fiios dac, they will do everything and will do it well. Unless you're looking for open back headphones, these will easily become your favorites. A+. I'll replace the earpads and cable when they finally wear out.

Great headphones for mixing and recording.

Back to film with accurate temperatures and easy mixing to boot. Try it, you'll like it!