Biggest Scale Length Electric Guitars

This is a great design - it can hold Acoustics and Electric guitars with little chance of them accidentally banging together.

I have always used 10's on all my electric guitars. After watching a YouTube video that compared the tone of different gauge strings, I decided to switch to lighter strings. I'm really surprised that these don't feel too light for me. They have a clearer tone than the D'Addario 10's I was using.

This product is great. Its compact and built well. Fits both acoustic and Electric guitars as well as bass.

Small Office, Several large acoustic guitars, several electric guitars. This stand handles the lot where others would only handle so many of the acoustics. The split top part seemed strange at first but now that I've gotten used to it I like it. I can tilt the guitars nicely in either direction with this feature. I didn't know that was important until I had that option. It feels solid, like it will last well. This feels like a good use of my money!!!!

i have bought many guitars both acoustic and electric, but this one the jemjr. is definitly my favorite by far!!! it is a beautiful guitar and plays like a dream!! the pickups are amazing, their sound quality is excellent and arangement is perfect!! it has a select blade switch with five positions to choose from!! And a floyd rose bridge (Ibanez) of course! WOW!! What a fine guitar!! I am jamming night and day!! Thanks Steve!!!

One of my guitars has input jack on top & have to have an angle plug on that end. This is perfect for it. Right length and good quality for the money

I used this cable quite a bit on small scale corporate video shoots. The cable is durable, and the length worked perfectly reaching the mic mounted on a boompole all the way to my camera input. Treat it right and you'll get a long life from this cable.

This a very good lens. Works as described, sharp, accurate scale. I really enjoy this focal length when doing close-up work!!

A lot of bang for the buck. It will not work with the lenses from DSLR camera systems unless they have an ability that allows you to manually adjust aperture, otherwise with a regular SLR lens, they work well . Best results are with a 45 to 60mm focal length lens, or longer. At about 50mm focal length, you are focusing at about an inch from the lens, as the image reflects. With the bellows retracted a bit, the third image was the result. With a 135mm focal length lens, you are focusing at about 5 to 6 inches with bellows at full extension with a field of view of about 1?? inches to 2 inches. As with all Close up schemas, you lose depth of field, but if you shoot coins, rings/ jewelry, or smale scale models, this is a perfect combination. Once set up, it is pretty much a WYSIWYG with an ISO of 125 or 100. Since the camera is unable to hold the iris open while you are composing, if you stop the lens down after composing, then you can adjust your ISO accordingly to improve depth of field, but you will need to resort to a tripod. The only down side is the measuring scale is that it is glued on rather than etched in the rail. A minor detail unless you require compious complete notes to save time on reproducing results as you are more likely to be advancing or reversing the bellows with the left hand knob rather than analyzing a measuring scale. If the right knob set screw is allowed to drag slightly on the rail, you right hand to operate the camer and the bellows will hold position. If you take this into the field, it is not indestructable, however if the camera and bellows are mounted to a rail and the rail then mounted to a tripod, you should do okay if you are careful and mindful of the physics of levers. Also decent lighting of the subject is essential. Relying on the light you can constantly throw on the stage will give you the most predictable results without undue shadows or nasty surprises.

Guitars, keyboards, bass