Blue Microphones S3 Shock

This shock mount is very high quality. The construction of it is very durable and stable. This is a great shock mount for all microphones

This is a GREAT shock mount. I bought it for a ribbon mike, but now I'm using it for all my microphones. Much less fussy than rubber bands!

Using it to mount microphones for external sound measurements. Use it along with a shock proof microphone mount. It is very durable and last long!

I needed a heavy duty stand for what appears to be heavier and heavier microphones (Rode NT1A with its shock mount and pop filter, and the Equitek100S which is a very solidly built microphone) that we use for radio and podcast interviews. This does the trick, and the release clutch on the post works well. The wide base takes up a little more room than normal mic stands but the added stability is worth it.

I own 2 of these microphones with their optional floating shock mounts. These mics are extremely neutral and transparent microphones with minimal coloration and very low self noise. They are also featureless meaning there is no hi-pass filter or attenuator switch. What you do get is a very well made German designed and built microphone, that is exceptionally well made with superb audio quality. Personally I will take good sound over feature sets any day.

I've always found typical spider shock mounts to be annoying; the elastic often comes loose while attaching microphones, and many of them don't give you the feeling that the microphone is completely secure and safe when hanging at odd angles. As a studio engineer I've come in contact with shock mounts from Neumann, Royer, AKG, just about every well-known brand you can think of. None of them, aside from the huge Royer shock mount for their SF-24 stereo mic, makes me feel as comfortable about mounting my microphones at odd angles as the Rycote mount. I was in the market for a universal shock mount that would fit a Royer 121 and a Mikrotech Gefell MT71s at my home studio. Because I use my home studio primarily for overdubs and mixing, I don't have the need for a separate shock mount for every microphone I own. So I began searching for something high quality, versatile, and cheaper than the $ shock mount offered by Gefell. Lo and behold, the Rycote shock mount feels very heavy duty, is lightweight, vibrations are highly diminished, and it comes with a very convenient attachable pop filter that gives vocals a much less colored high end when AB'ed against the nylon and mesh pop filters we use at the studio. I had wondered if the four screw-clamps would be a pain for swapping mics in and out quickly, but it is actually much faster than fussing with the other styles of shock mounts I've used and my microphones feel twice as secure. I never thought I'd say this, but this shock mount is one of the best purchases I've made this year.

If you need a shock mount for your Samson C01 or C03 microphones, this is the one to get. It offers adequate isolation and allows right-side-up or upside-down mounting of the microphone. It's well-constructed and easy to use. I recommend to all C01 and C03 users who wish to obtain the best sound from their microphone.

I had a different pair before but they're broken, and I needed a new pair asap. I was being emails about the Himalayan pink and blue shock, so I bought the pink. They're so lightweight, and loud. I use them mostly at work while I'm driving my truck, and for class online if I'm somewhere that I need to hear it be discreet. I love you guyz, thanks for the awesomeness of great sound :+1::skin-tone-5:

Using this for a Blue Baby Bottle microphone. Really good size for it (with the shock filter attached, for easy set up and break down) Quality product, American made!

This broadcast arm worked out just right. Supported the weight of both the Blue Yeti microphone and shock mount, and pop filter. Arm extended over both monitors for a clean look and while allowing me to sit comfortably during recording. Easy to set up.