Bluetooth Adapter For Mixing Board

I use for shooting events and capturing audio from mixing board

Use with Zoom H4N to connect to mixing board

I'm thrilled, that I can hear on both speakers on my headphones now that I'm connecting to the Rode mixing board.

Perfect adapter cable for when only balanced outs from the mixing desk is available.

The AudioStream Pro SL wireless system is a great system. It works exactly as described. I plug the transmitter into a stereo output on my audio mixing board and the receiver into the stereo audio input on my camcorder; I am able to record the received stereo audio on the SD card in my camera as the embedded audio track with the video exactly as it comes from the mixing board. By the way; the hardshell carrying case is great. Very well designed. Thank You Wi Digital I love your Pro SL wireless system. .

I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way.

I used this to be able to record on Pro Tools LE w/o latency. One signal went to tape and one to a mixing board for monitoring. The signal sounded the same after being split. The level was the same. It did what it's supposed to do.

Needed a way to boost audio output from a mixing board going to a computer which we use to stream church services with. The 24c worked perfectly.

If all you need is a very straightforward mixing console, this one is a solidly built board at a very reasonable price. No special effects, bells or whistles, but it delivers quality sound in a very simple package.

Our church had to replace its electronic carillon and the feed into the Mackie mixing board was way, way higher than the former one. So what line attenuator should we get? I chose this multi level one so I wouldn’t have to guess and it works perfectly on the highest setting so the trim levels on the mixing board are near their null points and there’s no danger of blowing out a channel with overload.