Brown Construction Paper Floor

The first case I have used in years. But it already was usefull when my camera slipped to the floor. It is not black, it is brown.

beautiful paper for cyanotype and vandyke brown prints.

very sturdy and stable and like that it can drop down to a few inches off the floor. Good value. Rugged construction

It wasn't fun getting brown fingernails from soaking them in chemicals, including selenium toner, back in the day to make gorgeous prints. Now I can get the same results on digital photo paper that looks as good as the light-sensitive paper I used to use. I can get the same results with Hahnemhle Fine Art Baryta Paper that I used to achieve by air drying (glossy) Agfa Portriga Rapid photographic paper in the darkroom. The surface texture is very similar. The results are indistinguishable to the naked eye.

By far one of the easiest and best fixers I have used quick note, older bottles were brown and you couldn’t see the contents and now arenin ckear bottles which is nice as you can see you need to mix the soulution well before making. Ew batch of fixer Fixer washes out well and using running water for stop is extremely convenient I have not used for paper yet as I still have batches of ilford rapid fix left but will try with paper soon. I would assume still great results as I get very clean and clear negatives

This is a great backdrop. My clients love the trendy brown color and I think it photographs beautifully. I have never had a Savage paper from BH come damaged. Always arrives in excellent condition. I was able to photograph 4 children on this size paper! Great quality and value.

when I first opened the tube I was a little disappointed it looked like the color of brown shipping paper but the mocha seamless photographs really nice. You can even change its tone with some gels on your strobes. It has proven to be very versatile. Mocha was a nice choice not to dark.

This paper is very good if you need a green screen that you need for full head to floor.

I bought this tripod to use with my V-LUX4 and I'm very happy with it. The construction is rugged and I'm confident that it will not fail and damage my camera. The 3-way panhead is intuitive to use and locks firmly into any position. Panning is smooth. The legs lock at a wide variety of angles including one that places the panhead very close to the floor. The center column is two-piece and can be shortened to further reduce the distance between the camera to the floor.

Very solid construction and higher than any other floor stand I could find for a mono;oght