Building Your Own Guitar Amplifier

IF YOU OWN AN EMOUNT SONY CAMERA, YOU NEED THIS ONE IN YOUR COLLECTION.

NO BRAINER-BUY ONE..DO YOUR OWN HOMEWORK...IT PAYS OFF! SMALL MANFOTTO STANDS WILL FIT IN THIS CASE, WITH MY A10 PROFOTO LIGHTS, XCD100C HASSLEBLAD AND 2-3 LENS, OR THE PEAK DESIGN TRIPOD IF NO STANDS THE ROLLER IS GOOD Case is light.. Divider is Excellent-in my humble opinion

BEVARE OF THE MAGENTA COATING...IF YOU ARE DEVELOPING YOUR OWN B&W FILM..YOU HAVE TO FIX IT EVERY TIME TO GET RID OF MAGENTA(PINK) COAT..OTHERWISE IT IS EXCELLENT.

IF YOU DONT OWN A PELICAN YOU NEED TO ITS THE PERFECT SETUP FOR BRINGING AROUND YOUR FILM CAMERAS TO EVERY SHOOT

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

Own another one already.

We needed an amplifier that would work at our small church building for operating speakers and feeding a recording system. I tried several other amps of which I was disappointed with. This one fit the application just right and didn't have a bunch of extra knobs and buttons to confuse the operators.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.