Calculating Standard Deviation Of A Two Stock Portfolio

Professional looking portfolio binder makes it easy to carry and show your work. Two prints per sleeve with a rigid black divider between each print. Recommended.

This is the perfect paper for making cards: invitations, thank you's, portfolio. I use other sizes of the same stock to make books. One of the great things about MOAB for this purpose is that the boxes are marked GL or GS as part of the product number to show the direction of the grain (long or short). Very useful for book arts though I suppose you'd need to be in the store to verify.

I tried a different brand as it was $10 cheaper from Amazon, and it arrived damaged. So, I decided to try the Itoya version of the 18 x 24 binder with the newer Evolution line since it was available at B&H and would arrive here faster than Amazon. The product arrived safe and without damage (Thanks B&H). It was also about $1 less than the standard portfolio of the same size. The quality is identical to the standard Art Portfolio in the best way. Having a few of them in different sizes, it felt comforting knowing it was the same quality despite the size difference. It was a pain to put the 18 x 24 prints in at first, but this was my fault as I had no idea how to flatten these 18 x 24 sized prints. Once I learned, it was no problem putting the prints in. The only differences from the original are the inner pocket (which I never used) and the edge. The edging of this portfolio is nylon stitching, which is supposed to add protection. Though there's nothing wrong with how the OG art portfolio handles the edge of the portfolio, I do prefer Evolution's nylon edge as I feel it adds protection. Overall, I am delighted with the evolution, and I wouldn't be against adding more Itoya Profolio Evolution to my collection.

had a hard time calculating the right size for my sensor. Remember not to swipe more than once for each side.

Two card readers in 1, for micro and standard SD cards. Good read speeds for computer or iPad via USB-C plug.

Two things I like about the 55-250 lens over the standard 75-300 kit lens: clarity of image and the image stabilization. The latter allows more options for handheld shots instead of requiring a tripod for quality shots.

I'm always reluctant to purchase the first production run of a new product, but I've been using SW240 for a couple of weeks -- enough time to report that it is a first class monitor with accurate and repeatable results. No dead/stuck pixels; uniform brightness and sharpness. Each monitor is factory-measured for gray-scale and color deviation from standard RGB profiles. In my cse the deviation was imperceptible (delta-E 1). This was borne out by custom calibration/verification using (provided) calibration software that writes (flashes) results into the monitors LUT for storage. Note that used must provide their own colorimeter-puck for custom calibration. On the down side, the documentation could be better; and Technical Support staff could be a bit more available, and more knowledgeable. While the monitors OSD menus are quite comprehensive (more than a dozen color profiles), they somewhat cumbersome. On balance, a very good wide-gamut monitor with built-in LUTs, at a very good price (made even better by the included $100 monitor hood - see separate review).

We all know how tough, reliable, and useful Pelican Cases are. But this is my first deviation from a black Pelican Case - and I wish I had tried another color sooner! This case and its dividers handle all my main cinema camera lenses delicately and with ease. It does what it is supposed to and I'm sure it'll be part of my loadout for years to come. PLUS - bonus is that it's the easiest case to spot on set!

Perfect for my portfolio!

A binder portfolio is the best.