Canon Digital Camera Raw Format

We bought 2 of them. This is a great product, it allowed us to record longer interviews in raw format on our 2 Canon C200s. The run time is 68mins on each cards.

Fujifilm X-T3 has got most professionals cinema features except raw file format recording like prores, dnxhd ibis ( for those who prefer it). To top it all up has got a high quality still photographs making it a high end hybrid camera. B&H customer service responded to all my concerns and the shipped this camera to me faster than I expected. Thank you B&H Photo

I wanted to copy slides, but wanted the copies in camera raw format. I used this light pad as the light source and used my Canon 60D and 100mm macro lens. It works perfectly. I forgot to order the power supply, but found one in my shop. I would recommend this to a friend.

So I'm a member of the Longview Film Club, we make short films. Kinda like a community theater with a camera. LOL. We added pretty much the whole EdelKrone ecosystem to our toolkit this year. Two years ago we bought the cinema 4k. And we've been in love ever since. It was a big jump for us. Going from A Panasonic AF100, which was an HD camera, to a 4K was a scary jump. To get the most use out of it, that meant embracing RAW format, 12 bit sized files. That meant more computing horsepower, etc. Our whole work flow was about to be thrown into chaos! But no, Black Magic came to the rescue. This camera's support of BM Raw format, make it accessible to literally anyone. Even an older computer can handle it. There are a million things to say about the camera, and you can find a million people saying them on youtube. So here are the ones that I think a person considering using this camera should know: 1 - The dual ISO is fantastic. We routinely shoot at 3200 for night shots. Almost no visual noise. 2 - RAW is King. Buy an external USB-C SSD harddrive, best cheapest option for camera storage. 3 - Go ahead and shoot in Q12:1 mode. You have to examine the footage with a magnifying lens to tell the difference. 4 - Make the jump from Adobe to BlackMagic Resolve/Fusion (free full copy comes with the camera). When you free your mind from the constraint of layer-based thinking, and embrace the node-based approach, it lifts the veil. It's a beautiful world out there when you peel back the layers. LOL. We added a second camera this year, and plan to add a third next. It changed our world.

This camera is just amazing!! Large format, ful frame mirrorless, 12 bit raw, 4k, everything in a small body., cheap!!!! I have no objections.

I copied 992 slides to a digital format using my Canon 5D IV with a Canon 100mm Macro lens and a Kaiser Slimline lightbox. This copy stand was a joy to work with. The up/down mechanism is smooth and precise. Stability is solid. It is lightweight and easily assembled and disassembled. There is nothing to not like about it!

Super 8 is still a fairly economical format, even in the digital era.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

This paper was bought for an introduction to digital photography class. I'm not new at photography, but I am new at printing and editing through camera RAW. This paper was easy to use and came out clean and clear.

Handles files shot in RAW format; handles slideshows made up of very large files.