Canon Eos 700 35Mm Film Camera Manual

I'm an old-school 35mm film kind of guy, but eventually graduated to digital about 10 years ago. I've found the miniature point & shoots are capable of producing great results for every day shots and when travelling, but, of course, typically lack the ability to be creative. When the Micro Four Third cameras gained more popularity with semi-professionals and serious amatuers, I loved the idea of acquiring a compact camera with manual controls, a relatively large sensor, capable of using interchangeable lenses. Initially, I planned on buying a Panasonic GF-1, but when it was discontined (what a huge blunder that was), I looked more seriously at the Olympus line-up. With the added refinements and new features the E-PL2 offers over the E-PL1, it was a no-brainer. I've had it just a week and am still reading the manual every night -- trying to get a grip on the incredible capabilities of this camera. I'm heading to Honolulu in 3 weeks and can't wait to use it there. The engineers at Olympus have done a magnificent job in terms of style, design, control layout, and overall build quality. Buying the E-PL2 was one of the smartes purchases I've ever made.

This is an all manual m mount lens for a Canon eos m camera. i use it on my Canon M50. i find it a fun and very clean imaging lens.

I found my Canon EOS 3 film camera in a box and am looking forward to trying it out again. This battery helps me get started

Just as described, great film for my Canon AE-1 program 35mm camera

works with all EOS camera (canon)

LCD Monitor Protection Film for the Canon EOS Rebel T5i Camera

30 plus years of being a Canon SLR owner and aside from the EOS 3 film camera, this is the best thus far. I am very pleased at being back to a full frame image sensor for several reasons, some of which are improved low light performance, less digital noise at higher ISOs, and more tonal range within shadows and highlights, making detail and color much improved at both ends of the spectrum.

I've been a Canon fan since my EOS 620 film camera in 1988. I'm not a professional by any stretch, but take a lot of pictures for family and friends. The 90D is the end of a line which I really prefer. I am very pleased with the improvements over my 80D, including resolution, auto focus, speed and many more. I'm more pleased with B&H including their used department. Prompt courteous service, fast accurate shipping and fair trade-in policies. You can't go wrong with B&H.

I actually do not use this flash on canon (thus not taking advantage of the TTL function), I use this flash with either a Leica M10 or on film Leica. so only using the manual function... Leica M10 + Profoto Air Remote TTL will trigger the A10 to fire (no ttl of course), but the flash needs to be set on first or 2nd curtain. To use this as an on camera flash for the m10, X-sync needs to be selected. I typically use this flash on camera at about 1/8 power and get plenty of juice out of the battery. magnets on the flash are very strong So I haven't had any problems attaching accessories to the flash unit.

Let me start off by saying that I have used this lens on a Canon T3i which has a crop factor of 1.6. I am currently going to school for film, and this lens is easily my go to lens for filming. This is a bright lens, and completely manual. This makes it wonderful for filming purposes. I consider this to be my cinematic lens, as it is equivilent to about a 50mm on my Canon T3i, and produces super sharp and accurate images. On a 1.6 crop sensor if is about a 50mm lens which is a great focal length for any shoot, which is why I find myself using it 90 percent of the time. With the manual apeture ring, I can dial in all my setting quick and easily. No pushing buttons on my camera, plus being able to de-click the lens allows for quick on the go apeture changes. This lens is also great for street photography, or any photography for that matter. The lens is a great focal length, not to wide and not too telephoto. Plus the depth of field scale on the lens allows you to prefocus before pointing your camera at your subject...a very big positive for street photography! The depth of field scale also helps with film as well, but usually you will have time to focus anyways. With that being said, you have to realize that this lens is a fully manual lens! For some, like me and other filmakers, this is a big positive. However, if you are not comfortable with fully manual and no autofucus then that could be more of a negative for you. So keep that fact, your skill level and comfort level in mind when looking at this lens. Over all this is a great lens, and I used it about 90 percent of the time when I was filming a short film which took place both indoors and out doors. If you are looking for a professional quality prime lens, this has to be in your bag or on your camera. I would buy it again, and I plan on buying more from Rokinon.