Canon Professional Digital Cameras For Photography

There is no better screen protector available anywhere for professional digital cameras. I installed this on my new Canon 5D IV and the touchscreen continues to function flawlessly. It goes on with ease and you will be the only one to know it's there. Absolutely perfect!

I still enjoy film photography even though I have several digital cameras. This battery with the help of B&H keeps me enjoying photography.

I've been using SanDisk memory cards my entire professional digital photography career and they never let me down!

As a professional cameraman, I have been using these Sony Digital Master HDV tapes for about 10 years for commercials and web videos. I have about 600 in my tape vault, all shot on my Sony Z1U and FX1 cameras. The tapes are extremely dependable. Amazingly, in all these years I've only seen a few momentary drop-outs, and I have never lost a scene to tape damage. These days I use my HDV cameras for second or third cameras on many shoots, or when I need a special look such as low shutter speed. I am very glad that Sony continues to make this tape, and that B&H continues to sell them.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I've had 10 different digital cameras. I've done professional video and stills throughout my working life. My G9II (and Gh6) is the best camera I've ever used. The AF on the G9II for BIF and sports is extremely good. The video is a professional grade documentary or B roll cinema camera. Pair it with Panasonic PL grade lenses and it becomes a tool with which you can do your best work. The handheld hires is amazing.

The Pentax Monochrome, following Leica's lead into digital black and white photography, opens the doors for affordable, high quality rebirth of B&W images for hobbyists and professional photographers alike. As a young hobbyist I will never forget watching my first image emerge in the development pan in the dimly red light room. A second AHA moment was my first view of B&W negatives taken with my first Leica rangefinder camera and lens. I now have a third, and possibly most important event, that occurred when I reviewed my first images using the Pentax monochrome camera -- finely nuanced B&W pictures that virtually jumped off from the view screen. My first thought was that I had been shortsighted and tight-fisted by my initial response to the high price of the Leica Monochrome cameras. My second thought was that there now exists a clear, challenging future for hobbyists and professional photographers. The question most photographers now have to answer for themselves is how best to capture their images. There is a bright future awaiting B&W photography. The Pentax monochrome is an incredible photographic instrument at an unbelievably low price. Leica opened the door to 35mm photography and now has opened the door to digital B&W photography. The Pentax DSLR is the first to follow Leica and has done so with its SOA improvements to DSLR cameras. It will not take long for all the usual copycats to compete in this new and exciting dimension of photography.

I purchased this in order to use an external flash for professional portrait photography. B&H Photography had it for less than Canon did. It was delivered well ahead of the expected delivery date which is why I always purchase from B&H Photography. Lenses, cases, filters, tripods and cameras of all types are less expensive at B&H Photography than all major brand name companies. Thank you B&H Photography for being there and for your service, support and pricing.

I have 1 for each of my 4 digital cameras because they are the do everything lens.

IS EXCELLENT, PROFESSIONAL CATEGORY FOR LIGHTWEIGHT CAMERAS. FOR CANON 5D EXCELLENT