Car Lcd Touch Screen Monitor Multipe Input

I love the new design of this camera. The hidden LCD works very well for me. Just open the screen if you want to use it and other times use the OVF/EVF. When I bought the camera I was not sure whether this is going to work for me but after few days of use I love it. No accidental screen touch. I had the touch set as shoot so when I need to take a picture just flip it down and touch to take a picture. When it is closed my nose won't touch it and take a picture. I also like the sub-monitor. I can quickly and easy setup film simulation etc. The other improvements Fuji have made is great. Picture quality is great as usual. Not very heavy for this type of a camera. One big thanks for B&H for their exception service. I live in Los Angeles and B&H was able to deliver my camera the next day. Their packing of the camera was well beyond other online stores.

Fits very well over existing LCD screen, maintains touch -screen capability on my D850, and I don't notice any cloudiness or distortion. Very happy. Clear instructions, easy to install

Product works great for LCD protection. The touch screen isn't affected, the size fit perfectly and the edges adhered all the way around the screen. I had a some trouble at first mounting the screen on a Nikon D850, but Anne from ExpertShield provided great support. The key to mounting the screen was carefully reading and following the directions, which really aren't that difficult. Just be sure to patiently follow the steps. Definitely would recommend this screen to serious photographers, and I wouldn't hesitate to purchase it again.

I like these gloves and have purchased a few pairs. I can operate my camera with the gloves attached, as well as the touch-screen in my car, etc. They offer a good grip on the steering wheel too. I was pleasantly surprised by how warm they kept my fingers in the cold Pennsylvania winter. One caution: they shrunk a lot after coming out of the washing machine.

Fits my RED TOUCH LCD 5 like a glove ;)

I bought this screen (the 13.3 version) for a dual purpose - as an editing/reference monitor in my editing room (Adobe cc, da-Vinci resolve, unreal) and to use on-location connected to my sony FX6. So far - I'm very happy from the experience, especially when considering the very affordable price. pros: Image quality is good, brightness is enough for studio work (not sure for outdoors), connectivity is fair, almost no latency (their smaller F5 screen has quite a latency when inputting 4K signal that is being converted in-monitor); I've managed to get is to be relatively accurate color-wise, almost good enough to be used for professional color grading. HDMI input works great, and adapts to almost any format (4K, DCI, etc.) V-Lock battery option is great (haven't tested yet). I like the very simple stand which enables you to tilt it up/down slightly. cons: The screen is quite reflective; SDI is very strict as an input format and no conversion is offered by the monitor (the premiere timeline must be 1080P or lower, while HDMI input works perfectly. this poses an issue when trying to use SDI out to review 4K sources); Speakers are not good (but headphones from the monitor sounds ok). All in all, and hoping no issues will occur, I think it's a very worthwhile investment. Mercury playback on adobe cc does slow things down a bit, but latency with BlackMagic ultrastudio monitor and / or decklink and this monitor is almost unnoticeable. As for the SDI/HDMI issue - when connected to a camera you can set the camera to downscale, and in studio you should try to use HDMI when possible.

I use to connect a touch screen monitor to pc. No problems so far, easy to install.

The monitor offers peaking and focus assist. Is a touch screen which you can zoom in for detail.

I confess to not being able to follow instructions well, so the fact that I got this screen on my FZ1000 LCD monitor fairly well with a wrinkle at one corner is amazing to me. I guess the protection is worth the angst of application.

I've now installed LCD screen protectors on about 10 cameras, going back at least a decade. In fact, the very first one I installed was a lifesaver. I managed to drop a Nikon D750 five feet onto a concrete floor. It landed directly on the LCD area. The screen protector was shattered; the monitor was perfect. I picked up the camera, which was fine, bought another screen protector, and I continue to use that D750 to this day. It made me a believer in protection screens. And D750s. Installation of these things is tricky. Read the directions -- carefully -- before starting the task. The LCD screen must be squeaky clean, and the glass itself must be centered exactly over the screen. BUT -- do not despair if the glass goes on slightly off-center. Careful pressure with the edge of Vello's guitar-pick-like plastic applicator tool -- exerted laterally on the edge of the screen protector -- should allow you to center it. If the glass is not centered, it may not adhere properly, depending on the camera. I have never had a screen protector come off unless I took it off. And I have observed that used-equipment webpages across the Internet are littered with cameras that are rated good rather than excellent just because of scratches and nicks on the LCD monitor.