Counter Depth Fridge With Water Dispenser 35 Inches

Very easy to apply and remove. I bought an old dispenser for water activated packing tape to use with this product which makes it very easy to apply. Just put the handle and a measured amount is dispensed and cut off. If you need to un-mount the photo simply wet the tape with a sponge until the adhesive softens. Then it can be removed without leaving any trace adhesive behind.

I used water to fill and it was still way heavier than any saddlebag style counter weight. Water filling is a little cumbersome (the surrounding area WILL get wet, but water makes ot much easier to empty out on teardown for transport and storage. Appears to be sturdily made from heavy plastic.

Powers hot water tank, injector pit pump, and fridge effortlessy. Not all at the same time. Individually.

I took a chance ordering this and I'm glad I did. I have a skywatcher eqm 35 which came with 2 11lb counter weights which are way too heavy to use when I was photographing with a dslr and lens. Luckily this weight fits the diameter of the counterweight bar and gives me proper balance wheb imaging.

What sets this small case apart is its depth dimension which allows it to hold more, about 2 inches more depth than similar cases.� There are no other compact professional cases I've found that have this case's depth dimension.

Using for larger portrait shots of family and also landscapes. Focus depth from very close- 6 inches to landscapes

The Auray RS-2U rack shelf with a shelf depth of 14.25 inches was ideal to rack mount a 750 VA UPS. The unit was solidly constructed and worked well. The heavy duty rack used in this project was tapped for 1/4x28 rack screws. The mounting holes were slightly small for the 1/4 hardware and had to be slightly drilled out for a fit. No problem!

The dispenser was easy to use to drip out just the correct amount of cleaner

Great quality and price. I use it with my 16-35 for landscapes and water photos.

I've rented the Metabones adaptor enough times where it made more sense to buy the thing, so I finally bought it and have zero regrets. For reference, I use it with a GH4. The price is intimidating for an adaptor but it gives me piece of mind. The M4/3 format isn't evolved enough for me to fully invest myself in the ecosystem, and there's been a flat look (read: lack of depth) with all-purpose Lumix lenses like the 12-35. I'd rather build up a collection of Canon full-frame lenses or APS-C lenses and have an arsenal at my disposal when I decide to upgrade to a cinema camera. One of the GH4's big weaknesses is performance in low light, and the Metabones goes a long way in fixing this issue. The much-praised Sigma 18-35, for example, gives you an f stop of 1.1 at the most open setting. This gives you room to work in darker areas and provides more opportunity for beautiful bokeh. Shallow depth-of-field is difficult to come by with the M4/3 format, after all. Only downside I guess is the occasional error, which is fixed by shutting the camera off and then turning it back on. You might lose a take at some point, but I've been lucky and this only happened once when I wasn't recording. Autofocus capabilities are possible but a little slow given the extra hurdle an adaptor provides. You shouldn't really be using autofocus for video, though. Overall, definite recommend. This thing is magical. The Panasonic GH4 is an excellent camera with more features than even some of the cinema cameras, which is why I opted to expand the GH4's capabilities with a Metabones adaptor + lenses instead of investing in a C100 MkII.