Craftsman 875 Series Pressure Washer Manual

Someone please tell me any other film washer better than this.

I have tried many holders and this one is the best in craftsman, durability, ease of use and reliability. Easily secures my iPhone X Max with no issues

The Audio Technica AT-875 is a useful, affordable shotgun mic - on-camera and off camera. For those who are not aware, it does require phantom power (the AT-875 has no battery cavity). I knew this when I got it, and since the camcorders and XLR adapters I use can provide phantom power, I did not have any issues. It sounds great under a wide variety of conditions.

This arm is an incredibly solid -- it feels weighty and craftsman-like. I purchased the arm to hold my 34 LG ultra-wide monitor, but it's obvious that the arm could have even held much larger monitors or TVs without issue. I was worried that the weight would be too much to clamp the arm to my desk, but it's not a problem at all because the clamp is incredibly secure.

I bought this to replace my Rode NTG 2. I was using the Rode with the Zoom H4n and there just wasn't enough sesitivity from the Rode, and not enough gain from the preamps on the Zoom. I often had the input gain up in the 90+ range (0-100 scale). Now I am using the Tascam DR 100 II with the AT 875, and it is a diferent ball game.The AT 875 is very senitive and enables me to use much less gain on the recorders, making for a much cleaner recording, now I only need a gain of 3-4 on a 1-10 scale.It is a good mic for booming because of the sensitivity and because it is so light. Pushing the gain on any of the prosumer recorders is asking for noise and hiss.I liked this mic so much I bought another one. So I have one on my Canon XA-10 and one with my audio kit. I also have the Sennhiser MKE 600 which is very nice, but not as senitive as the AT 875. The Sennhiser has a little better sound and has better side rejection, and can run on battery, but it costs 2+ times as much as the AT 875. Between my Rode NTG II, the Sennhiser MKE 600, and the AT 875, I use the AT 875 the most!I consider a must have in my kit.

A very pressure product exactly as I want

After long ago exploring IR images with Kodak chemical films, I purchased the Kolari K665Pro and K720Pro to use on a stock Canon EOS 5D Mark IV and Canon lenses. I chose the Kolari Pro series for their sharp cutoff spectra as well as their filter coatings compared to Kolari's base series or Hoya. The Kolari Pro quality / performance / price point trade-offs were great IMHO. Starting with the 665, I set the camera for manual exposure (typically bracketing around +2) and manual focus (typically longer focus settings), and the stock sensors pick up enough red for good composition and control. It has been a short learning curve and I am most pleased with the images that the Kolari filters are generating: awesome black and white landscapes, cloudscapes, and waterscapes, and excellent starting points for post-processed color shots (native red hue or channel swapped)! No discernible color aberration until I push the image magnification to its pixel limits. The coatings have been great with tough lighting angles - no flares - and stay remarkably clean in windy, dusty environments! Continuing experiments with the 720, which pushes the limits of the stock sensors but still works well. Highly recommend the Kolari 665Pro for anyone getting into IR!!!

This adapter lets you use Tamron Adaptable and Adaptable II lenses (in manual focus, manual aperture mode) on Sony alpha series camera -- F and FE mount NEX, a6000-series APS-C cameras, and a1, a7-series and a9-series full frame cameras. It mates securely with both the camera and lens.  I'm using to on a Tamron 500mm mirror lens There are no electrical contacts in the adapter, so the lens has to be used in manual mode. There's no weather seal, but then, there's no weather seal on the Tamron Adaptable lenses either, so not much is lost there.

This is a great mount, made with great precision. It holds no electronics, but is beautiful for shooting manual on the Nikon 1 series, as the way God intended. I have some ridiculous lenses on my camera since getting this. Nothing but fun.

The Zeiss Loxia series is outstanding, and the 35mm is my personal favorite. It's a perfect compact lens for the Sony a7 series. The manual focus activates the automatic zoom (enlargement for focus) and focus peaking (if you select that feature in the camera menu). I love the Zeiss color rendition - especially with my Sony a7RV. Makes me slow down and enjoy the "intentionality" of manual focus.