Crate Guitar Amplifier Gfx 20

The sound is excellent and it looks amazing with this retro design and guitar amplifier style! 20+ hours of battery charge life it`s truth, not joke!

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

Very nice cables. I use it to connect a tube preamp to guitar amplifier and they work great. Love the color!!!

Great egg crate!

I have been using this lens for several months now and wanted to share my impressions. I find this lens to be just about perfect for travel and hiking and including wildlife and landscapes. The quality of this lens is very good, and the range when mounted on the GFX 100S makes it quite useful. Even when shooting a dragonfly from 20 feet away and cropping in quite a bit, there is still a lot of visible detail because of the 102MP sensor and the inherent quality of the lens. Although this lens doesn't have the range of a 70-200 lens on a full frame camera, the extra resolution helps make up the difference and keep the size and weight manageable. So, for what it is and the flexibility it provides, it is a solid compromise. And coupled with the GF 20-35 makes it a very useful combo for the GFX 100S.  I find that I'm not using the GF 32-64 nearly as much, and the 100-200 is the lens most often mounted on the GFX 100S.

In expanding our sound system, I purchased this amplifier as a replacement for the same model which has operated for over 20 years.

I've used this microphone for close to 20 years now, and decided to write a review, because I feel it needs more love and attention on this site. I actually bought mine in Europe all that time ago, and paid almost twice of what it costs today at B&H. Still I have no regrets. Over the years, I have used it mostly for vocals and acoustic guitar. I am a singer-songwriter with a project studio, so the astronomical prices of big boy mics are out of my reach, but I have accumulated some really nice equipment over the years. Not sure that a 5000$ condenser would be a quantum leap, but it's possible. That said, in the 500-1200$ range, I have used nothing that rivals this one. It has great, crisp clarity on vocals and a solid, firm bottom end. I have noticed that the intelligibility of lyrics is very good with this mic. It never seems to be harsh or shrill sounding, yet there is always a reservoir of extra high end available through EQ. I'm usually using the low-cut filter to manage any rumble and floor resonance. In conjunction with a nice pencil mic (I'm using the affordable Octava 012), it's great for guitar. It's solidly built and comes with a sturdy shock mount, as well as the simpler mic clip for quick setup or tight corners. Today, I'd get the black one; other than that, I wouldn't change a thing.