Digital Modeling Guitar Amplifier

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

The sound is excellent and it looks amazing with this retro design and guitar amplifier style! 20+ hours of battery charge life it`s truth, not joke!

Very nice cables. I use it to connect a tube preamp to guitar amplifier and they work great. Love the color!!!

This is a game changer for listening to my digital music off my laptop. Listening to the range of sound through this amplifier is a wonderful experience. I can hear so much more. Thank you Apogee for such a groovy product!

This is the modeling light for Elinchromes.

After first month of usage, I can safely attest to the unit's functionality, reliability and ease of use within my current setup. I'm a hobbyist composer who needed to get first footing into the digital recording realm. Perusal of current products led to realization that a mixer-interface hybrid would be best fit for my context. With limited budget, an old under-powered pc and unwillingness to deal with any steep learning curves; I conducted my evaluations. ART USBMIX4 topped the list. In main setup, digital piano (Left & Right) line outs connect to Channels 1&2 w/ respective Pan controls set to L and R. Drum-guitar unit line outs go to 3&4. Headphones used to monitor. USB connection to pc provides electrical supply. To record acoustic-electric, condenser mic plugs into CH1 (for 48V) and drum-guitar unit's individual guitar out into CH2. The AUX-MP3 IN serves well for my guitar amp's stereo line out when required. Admittedly there is significant hiss when CH1 gain increased beyond middle position with mic connected but I get acceptable results despite that constraint. INST-HI-Z on CH2 is rather bland and underwhelming; perhaps this may suffice for DAW software effect plug-ins for which my pc not geared up. All considered, I am quite pleased with my decision to purchase and have no regrets.