Drone With Red Blue And Green Lights Camera

What is cyan? Is it blue? Or green? Actually, is it the opposite of red. Subtractive. Go Red, take away cyan

Red...Green...Blue...White...Cyan...Magenta...Amber...Orange...you pick and choose. Fire up DMX and not only do you have a nice color palette, but unlike nearly every derby effect light out there you can actually dim the intensity of each color! Really works well when combined with static lighting to get just enough movement blended into your look. Loving it so far!

I always have this on my drone now for added visibility, even outside of evening flights. There are different color options with the green and red plastic covers. The velcro mount is very secure.

This red filter eliminates the blue and reduces the green colors in landscapes. I use it in black-and-white photography. It makes your clouds stand out. It also makes my red Jeep stand out against the green hills I photograph. I love it!

Really nice dark tone ; cuts the green and red really well and amplifies blue tones on b&w film. Perfect filter for RGB processing (with the green #58 and the red #25). The rigid plastic case that comes with it is also pretty useful.

Nitecore filter is made of glass, not plastic. I bought all three red, green and blue in preparation for my hunting trip. A simple try at home shows vivid colors with good light transition.

Works well on my DPMS Oracle. Fit well on the rail and the red/green lights work well.

The blue plastic case is nice enough quality, but basically useless for me. Inside, however, is a fine charger and good batteries. Only one idiosyncrasy, which is that the indicator lights are green while charging, then they go out as each battery reaches capacity. This can be a bit disorienting, if you are used to the more familiar system used on many other chargers: red or yellow charging lights and green lights to indicate full charges.

These lights worked very well with the Chroma/blue/Chroma green Collapsible Background I purchased at the same time. Screen lit very evenly. Very important in postproduction keying.

I use lights and diffusion in the field all the time--as well as blue or green screen--and I cannot do this sort of work without a rugged set of C-stands. These particular C-stands (with arms/clamps) are everything I need--heavy, rugged, and black to reduce glare and reflections. The turtle base legs disconnect and make storing these large stands in smaller car trunks or out of the way areas very handy. I wish they had foam rubber sleeves on the main post so that I don't get frostbite handling them in the winter but that's a minor complaint. Great product. Built very well. Can't beat the price! John Brune