Fender Bass Vi Vs Baritone Guitar

The cord on my Fender Guitar Amp is only about 4 feet long so I am limited as to where I can place it. This 10 foot heavy duty cord lets me place my amp almost anywhere now. It also handles the voltage and amperage which my amp requires.

I vacillated over which mic I should buy to pair up with my acoustic guitar and my Fender Acoustic Junior amp. This turned out to be ideal.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

I am a professional opera singer, and I want to capture my bass-baritone voice in a small space without it sounding too crisp and treble heavy. This mic captures my full spectrum with a nice warm natural quality. I'm improving my placement and studio space so I can add reverb to simulate the large halls that are best for operatic voices. The mic is very sensitive and picks up well at 12-18 away without much room noise. It sounds like me when I'm listening. It's connected to a Tascam DR44w recorder with 48v. The build quality is very nice, but I am always gentle with it and mindful of storing it upright because of the fragile ribbon.

I have been recording extensively with this microphone from bass/baritone male voice to female delicate voices, needless to say it's a highly detailed response for this price range, it's flattering in most tones without coloring too much your sound, it's been a joy to use and I seriously considered purchasing other models but couldn't be happier with my choice. Thanks Audio Technica and B&H for outstanding structure and in-store service that made me do a good choice for my needs

I use the set up for voice over work in film. I am a baritone/bass non singer and usually don't the the high end on things. That said, the richness and texture of the sound that I am getting from this even after on ly playing for a week is sublime. I can't wait until I really get the hang of this rig and can have some fun.

This type of case offers the best of both a hard case and a soft bag. It conforms snuggly to the shape of a Kala Baritone Uke or a U--Bass. It provides almost all of the protection of a hard case, but weighs very little more than a bag. It also has a rear-mounted strap for carrying it over your shoulder. There is a small, covered, internal accessory box under the instruments neck location, and a generous zippered accessory pouch on the front of the case. This case will provide excellent protection for an instrument as long as isn't crushed by a considerable weight. Scrapes, scratches, hard bumps, and even drops from shoulder height will do no damage to the instrument inside, and no functional damage to the case itself. Have no doubts, this is real protection for you Kala Baritone or U--Bass.

No other cord I've had for my front-loading Fender Mustang bass comes close. This gold-tipped wonder runs silent and deep without any tangle. Highly recommended for pro sound!

After 30 years I busted out my '62 Fender Jazz Bass and started building back my talent and chops in preparation to start jamming again with the old band. I knew I needed a stand so I started looking. This one from B & H works like a champ and the price was a great deal for the quality...just like all my purchases from them.

I like this one so much more than my old Theta V