Fender Gb Twin Reverb Guitar Amplifier

Works really well at containing my Fender Super reverb amp in smaller venues. I use the clearsonic panels in front and these out back. Nice quality and professional appearance.

I was originally looking for a bag for the foot controller for my Fender Cyber Twin amp, and judging by the measurements, this bag looked like it would do the trick. But I also own an On Stage platform-style keyboard stand (KS7150) and after some more measuring, it appeared this bag would accomodate both. When the bag arrived, I was pleased to find that both items fit in the bag easily. There was even room for me to stuff a double guitar stand in. I now carry about 45 pounds worth of gear in this bag and it takes it all in stride. The bag and handles are made of a very rugged material, and the inside is padded as well. So far, I've been extremely pleased with this bag.

The cord on my Fender Guitar Amp is only about 4 feet long so I am limited as to where I can place it. This 10 foot heavy duty cord lets me place my amp almost anywhere now. It also handles the voltage and amperage which my amp requires.

I vacillated over which mic I should buy to pair up with my acoustic guitar and my Fender Acoustic Junior amp. This turned out to be ideal.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

The reverb is amazing.

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

Perfectly complements the GB-10 guitar trainer, solid construction.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.