Fender Rumble 40 V3 Bass Guitar Combo Amplifier

Great mic for any kind of use. Vocals sound great as well as guitar and bass amplifier. I use this mic in my home studio and live performance.

The cord on my Fender Guitar Amp is only about 4 feet long so I am limited as to where I can place it. This 10 foot heavy duty cord lets me place my amp almost anywhere now. It also handles the voltage and amperage which my amp requires.

I vacillated over which mic I should buy to pair up with my acoustic guitar and my Fender Acoustic Junior amp. This turned out to be ideal.

I purchased a second BR-10 to complete a PA system I use with a Fender guitar/Yamaha modeling amp combo. I get the sound I like and then let it rip. Clean, powerful and impressively responsive across the entire frequency range. Way more than enough for 1500 sq ft of audience (~200 people). Can switch to pure PA use without problems and nobody is going to gripe about this rig. Wish I had this setup when I started doing gigs.

I bought this sub last week and it finally came yesterday! I love the sound that deep rumble and powerful tidal waves of bass flowing throughout my room! Will be buying a second one soon! I’ve also read the other reviews on here and many others have said the same thing! It’s definitely powerful! Fulfills my bass needs!

No other cord I've had for my front-loading Fender Mustang bass comes close. This gold-tipped wonder runs silent and deep without any tangle. Highly recommended for pro sound!

After 30 years I busted out my '62 Fender Jazz Bass and started building back my talent and chops in preparation to start jamming again with the old band. I knew I needed a stand so I started looking. This one from B & H works like a champ and the price was a great deal for the quality...just like all my purchases from them.

From time to time, I need the use the guitar input of my amplifier for a second microphone input - this gizmo enables me to do that withous issues.

I bought a pair of these to use with a guitar amp simulator. They sound great and allow for getting the amplifier and effects tone without having to crank up the volume to concert levels.

In 1969 I saw a solid-body electric guitar with a three-inch amplifier built into the face of the guitar. The tiny speaker was powered by a nine-volt battery inserted in the back of the instrument. Fantastic, I thought, why don't they make a suction-cup amp that sticks onto the face of the guitar? A zillion years later they did and it is fine.