Films Shot On Blackmagic Production Camera

.. I just get it from B&H and shoot some test with my Blackmagic Production Camera 4K, and I like the result !!!

Works perfectly with BlackMagic Production camera 4K and Ikan GoldMount Battery.

It's nice to make that leap from shooting on a DSLR to working with the Blackmagic Production 4K camera. It makes the transition even easier when I'm able to use all the batteries I've accumulated over the years. Also, being able to plug in sound with XLR inputs is a HUGE bonus.

I love the connector, that's not coming out during production. This is the OEM cable for the Blackmagic Micro Studio Camera 4k.

I have been shooting with a Blackmagic Cinema Camera and Production Camera for years, but have only used Canon L Glass along with my default ef-s 17-55 2.8. Moving to cine-style primes not only helps with my follow focus setup, but I'm getting much sharer images. The 14mm doesn't show a ton of distortion on my 4K camera, and none on my 2.5k. These are really super speeds since most are at T 1.5. I can't recommend these enough.

I bought this SSD for my new Blackmagic production camera and so far it works great! The only issue I ran into was that I had to buy an adapter to transfer files to my computer, but that was pretty cheap. I'm definitely happy with my purchase.

Using this on a 28-300 Canon attached to a BlackMagic production 4K camera. So nice to not have to go into the menu to adjust for light settings when you can just spin this up or down.

5 stars! Stable and very easy to adjust level with slider on.

This head is logically simple and reliable in use. But to understand the quality of its work, and therefore, to decide whether to obtain this head for myself or not, I would need to answer two questions for myself: 1) Would you need to set up the head under your camera every time for different filming parameters? 2) Is it important for you to have clean camera movement and therefore in-shot composition? If not – then it is better to get a simpler and cheaper head, you would save a good deal of money. If yes – then Sachtler will serve you well. That is, the FSB 6 will satisfy many professional needs (of course, except large film projects, where there are other needs for other camera equipment). But in the case of production of many independent films – feature or documentary – with non-heavy cameras, the Sachtler FSB 6 head creates a firm sense of reassurance that the most difficult scene, panorama and mise-en-scène will be shot. In film production, just like in any craft, there needs to be a certain level of quality which would help complete a job with a good and stable result. Sachtler FSB 6 is in this very category of quality. I give 5 stars with one comment – I got the Sachtler FSB 6 for a tripod of another brand and the Tie-Down Bolt was shorter than needed. I suspect that I am not the only one to whom this problem extends to.

I do production sound for a varity of different types of projects from feature films, to 1 day commercial shoots. I use these in the field everyday. They are low energy consumption and I typically only have to change batteries twice in a 10-14 hour day. (I power them down during lunch and any time we have a long set up.) I have never experiences any rf cutting like on the 100 series or other brands of lavs. 9.8 out of 10!!!