First Professional Digital Camera From Nikon

First of all let me start by saying that I am not a professional. I purchase the A7III in December, 2019 and it is my first full frame camera that I planned on using primarily for wildlife photos. I am using the FE 200-600 G OSS Lens which gives me wonderful photos. I don't use a blind or a hide so I decided to try the 2X Teleconverter after I found it was difficult to get as close as I would have liked to at times without scaring what I was trying to photograph. I did find that camera settings may need a little tweaking to adjust for lighting conditions. The photos that I have attached are crops and were shot handheld or while leaning against a tree.

The Black and White Mode is the first real film look i have found in any professional digital camera paired with the metal body, size and overall rangefinder design with the addition of the mode dial have all restored the digital camera back into the long historical evolution of the street photographer's camera.

While digital technologies continue to be perfected with professional camera use and their widespread applications, the latest Sony RX1RII fixed Zeiss lens camera (other cameras allow long-lens variants) exceeds expectations, especially when printing work on a large scale (with the Epson Stylus Pro 9900). While some relatively minor imperfections exist as with all cameras that professionals adjust to, the expansive quality of color, remarkable low-light resolution, extraordinary image quality and virtual unlimited visual potentials provide challenges that move into unchartered territory for artists (see attached site-specific photographic installation of 112x152cm prints). The most problematic issue is not Sony's: Adobe Photoshop has abandoned the long supporting professional community by not making a plug-in for this camera's RAW files (ARW in Sony terms). Two alternatives: 1) join the CC monthly feed of Adobe Photoshop (APS), abandoning the experienced professional use of all former Photoshop versions, or 2) for 99$ purchase the most basic APS Elements software that notes the Sony RX1RII RAW files are supported, at least noted in Elements literature. What a way to treat loyal professionals and Sony over the years, claiming that CC is better without meaningful details justifying the obvious money first, customer second policy for purchasing the CC version. Not mentioning inevitable future rises in CC prices, non-copyright protections in-Cloud, and not allowing printing in your studio with your own APS, even when CC RAW is tiff converted. Sony's RX1RII with Zeiss lens and its internal digital processor chip is remarkable for what the eye can see (numerous professional digital cameras now exceed what can be seen without mention), even with the rare if not unprecedented 600$ additional cost recently by Sony.

I've had 10 different digital cameras. I've done professional video and stills throughout my working life. My G9II (and Gh6) is the best camera I've ever used. The AF on the G9II for BIF and sports is extremely good. The video is a professional grade documentary or B roll cinema camera. Pair it with Panasonic PL grade lenses and it becomes a tool with which you can do your best work. The handheld hires is amazing.

I am not a professional photographer but enjoy taking photos. This is my first monochrom digital camera and it is really impressive. The quality of the photos is really amazing. I also have a Q2 but the B&W output from Q2 is definite different from the Q2 monochrom.

I was using a compact digital camera and love snap shots. I wanted to try a little bit more professional tryle and bought this EP3 camera. The manufacturor is fcing trouble now but this camera is fantastic. This looks very classical but its functions are great. The quality of pics are just like DSLRs but much lighter. And, easy to use.

For all of us who cannot spend the money on the Lecia, Pentax gives us a wonderful Monochrome digital camera. Based on the K3 chassis it is a Monochrome only Pentax K-3 Mark iii. It is an APS-C professional-level camera. With excellent ergonomics that Pentax is known for. Yes everyone is dashing off on mirrorless but the bright, eyeglass-friendly viewfinder is wonderful. With a nice catalog of lenses, this is a black-and-white camera that can be used in any situation. Finally black and white with excellent fine resolution, usable high ISO, and professional grade. The images have fine detail, highlights, and shadows. Easy-to-use menus and settings that address every situation you may encounter. For those who remember all those color filters for black and white are usable to manipulate the the images before tripping the shutter button. Two things to consider. LCD panel does not flip up or rotate. I use a Ref a right angle viewfinder by Pentax. It works well on all the 35mm Pentax cameras and some other brands. It rotates and has a 2x setting which is nice for macro. The other thing I have noticed is the very sensitive shutter button. It has a very sensitive and short motion to trip the shutter. I can highly recommend this camera to anyone who wants to do Monochrome. You will not be disappointed Monochrome is far from a niche place in photography. You see it in many venues. It is not limited now to the conversion of color digital or shooting film. We now have a well thought out Monochrome from Pentax at a more palatable price than Lecia.

First case! Make me feel like a professional with it carry it. It's great.

I use it as a back up for my digital camera.

I just purchased this lens and had it on my camera for 10 days in the Canada Rockies! First I want to say the starburst is absolutely amazing, it is wide, which was perfect for my frozen bubble shots. I bought the Loawa 15mm first but was really drooling to get my hands on this one. I switch between Nikon and Sony, but this 12mm offers more then the Nikon 14-24 in a smaller form factor. Lens is solidly made and you can’t beat the price!