Fl Studios Recording Click Track

Before the Zoom F2, before the Tentacle Sync Track E, Before the Rode... There was the Tascam DL10L! Dual level, zero interference because it's internal recording, perfect file saving, long battery life, small form factor make it easy to hide, perfect for wedding and interviews... It does it all in a simple easy to use portable body! The ONLY system that comes close is the Tentacle Sync Track E... But at 2.5x's the price is the Tascam is still a contender! If you learn to rig the lav and isolate it from excess rustle or use software like the iZotope RX9 deRustle you can have an excellent tool to get doubt at all angles where a boom mic can't be (such as wife shots or moving shots). The Tascam is STILL one of the best. With it's dual track recording feature is essentially 30 bit recording! Bring able to record a second track at -6 and -12 db means you got it on high and on low gain at the same time. You pull that into your sound or video editor and boom adjust as necessary. No it doesn't actually have 32bit float... But having that second track -6 to -12 db lower dedicatedly give it just about the same flexibility.

I love this headphone. Very useful in live shows and recording studios with a great sound.

I use this product in large concert settings. My band and I use it mainly for a click track, but they work great. For not being custom fit, they hold very well. I would definitely recommend these to anyone interested in buying them.

Used it to conduct a musical coaching in which four singers all needed to hear a click track but each wanted to control their own volumes. Worked perfectly.

I find a stationary track ball more comfortable than a traditional mouse for extensive time at my computer. (A mouse requires more real estate for movement.) Speed and precision are easily adjusted. The ball is larger than most and means it's easy to move the pointer exactly where you want it. Four buttons around the ball can be changed for click, double click, right click or many other options in the software.

If your budget allows, please do not settle for anything less than the Neumann 102. Over my 12 years of recording in a studios across the world, Neumann mics have provided the best sound overall across a diverse range of vocals. From singers, choirs, rappers, or broadcast, this is a must have! Do not settle if the budget allows.

I'm used to working on Keningston Trackballs in various recording studios, and I really wanted one in my office as well, so I jumped on B&H's recent flash sale on these. It's a really nice upgrade over the logitech marble trackball I was using previously. The ergonomics are night and day, thanks to the wrist rest and the larger size. It's also nice to have the scroll ring, which was absent on the logitech.

You can pay more for a fancy power conditioner or get this. These have been used in recording studios, live concert rigs, and professional sound systems for decades... proven reliability.

I use this in multiple recording studios and it's absolutely fantastic. Zero noise/interference. Excellent layout of outlets. And with coax and ethernet connections as well, it's simply a jack-of-all-trades. A+

I purchased over a dozen of these over the last several years. 3 pairs for myself and the rest for several small recording studios I helped put together. Make sure to replace the pleather pads with Beyerdynamic valour alternatives.