Fuji Camera Professional

...and it charges batteries. Which it does as well as you would expect. But have you ever known of a professional photographer who charges batteries directly in the camera? Of course you haven't. A separate charging unit is as essential to a professional grade camera as a lens. How else can you ensure a continuous work flow? It's 5 stars for this charger, because it does work well (and I would recommend it heartily) and it isn't the charger's fault that Fuji are too tight to provide this essential item in with the body when you purchase it. 5 stars for the charger; 1 star for Fuji.

As a professional sports and event photographer, a vertical power grip is a must. With the Fuji, I now have the power of 3 batteries for a full day of shooting. Also, the ability to go into the Boost mode directly from the grip helps a lot. Costly but worth it!

I worked at a professional photo lab in the late 1980s. At that time a cibachrome or Fuji Super Gloss type R print were the highest gloss with the sharpest detail prints available. This Inkpress paper reminds me of those finishes. Super sharp!

I haven't the bloodiest idea what Lynn is talking about. I am a professional wedding photographer using 2 Fuji XT2s and there is no lag time with this flash. Batteries don't die as she claims neither and I use rechargeable batteries with lower life. The flash is a little work horse and I recommend to any one. People should learn to use their equipment before writing review!

I am a professional family photographer and just upgraded my cameras to Fuji X-T5, which creates some pretty large RAW files. I also use burst mode a lot to capture kids at play, so I needed something fast to minimize buffering times. This memory card was all I could ask for!

Zoom control works like it should and is professional in look and feel. With a little practice, feathering the zoom is nearly flawless. The cables are strain-relieved on both ends, which will help it's longevity. Unit mounts easily and securely, without having to over-tighten the thumbscrew, on 10-30mm handles. It has rubber pads on the clamp, so it probably won't leave any wear marks on the handle. The control comes with a two-piece cable. The EX1 adapter end separates from the control cable end with a standard Fuji-standard 8-pin connector. An 8-pin Fuji zoom cable will extend the basic cable to whatever length you need, esp useful on cranes or remote placements. There is an included velcro wrap to bundle up extra cable. Camera start/stop also doubles as a Review button. All in all, it's a well-made, compact unit that appears to be made to last.

As a working professional I need function over fashion and no other bag give you more pure functionality than Domke. I've used these bags since the days when Jim Domke was stitching them in his basement. They were great then and they're great today. Every thing has its place and it all fits like a glove. I have enough room in this bag to carry three mirrorless Fuji bodies and almost their entire range of lenses 14; 18; 23; 35; 56; 10-24; 18-55 and 55-200. I also carry extra batteries, SD card case, flashlight, lanyard, business cards, moleskin notebook, cable release; lens cloth and a Fuji flash. Other bags may look fancier, but nothing works better. Period. At the end of the day that's all that matters.

Blown away by the crisp quality and professional feel of this lens. Been desiring a telephoto prime for a while and couldn't afford the Fuji 90mm, so this fit the bill. Hugely fun for walking around the city and taking photos/videos of people, buildings, etc. Subject separation is crisp and very satisfying. I love manual focus as it forces me to think more about my photos so that hasn't been a problem for me. Only gripe is that it's slightly loose on my Fuji X-H1's mount, which from my research online seems to be a common non-issue with some third party lenses. Very happy with the purchase!

35mm on my Fuji X Pro 1 = 50mm I have shooting professional wedding for a number of years. My DSLR expereince is back from a Fuji S2 Pro, but then switch over shooting Canon 1Dm2, then 1dsm2,3, 5dm2,3. The Fuji X Pro 1 + 35mm produce by far the best image I ever seen from my Canon. If you don't already have it, then buy it now.

Perfect for Fuji x camera and additional lens.