Fujifilm Digital Camera Audio Out

Canon Digital Rebel! Out of sight! Not with a SFD35C Digital Flash for Canon. You can see on camera whatever you want to see when using this powerful Digital flash. It is well made and powerful. The perfect companion for your profession use. See your images come to life.

forms a perfect match with the Fujifilm FinePix HS50EXR Digital Camera

I can connect my audio recorder (LINE OUT) to my video camera (MIC IN) and no need to record audio unless using as a backup on the original audio recorder. Using a ZOOM H8 your able to adjust the settings and you are good to go.

Thanks to the camera advisor at B&H I own the beautiful Fujifilm X-T20 camera. Although I have a super zoom digital this is my first semi-professional digital camera. My kit includes the compact 18mm - 55mm lens and I purchased the the slower compact 55mm - 200mm to round out my system. This lens is a worthy addition. Please note that it is a manual lens that will not communicate with this camera. To use remember to: GO TO SETTINGS - SETUP (wrench icon) - BUTTON/DIAL SETTING -SHOOT WITHOUT LENS- and turn ON. Reverse after you finish shooting. Great lens, great price, thanks again B&H...

I started out with digital but have gone back to film for the colors and process. I find that I shoot a lot less but score more keepers when I’m shooting film. With digital, I end up with too many photos and less keepers. Something about the mindset. However, with the X-Pro3, I find myself shooting as if I’m shooting film. This is the closest thing you get without actually shooting film. This camera is a beast. It’s Fujifilm’s most sacred camera. They fund the development of this camera with their other mainstream cameras like the X-T3. It’s like how Porsche treats their 911. The OVF is a blast to use, especially with the Fujicrons (f2 lenses). Mine is glued to the XF 35 f2; no blockage in the viewfinder. The OVF allows you to live the moment a little more authentically because it’s pretty much real life, unaltered. I’m glad I got the Dura Black because I feel this camera will be with me for a long time. I may even pass it on to my kids. This is Fujifilm’s most proud camera.

I recently decided to go back to using a digital Leica (M-262) as my primary camera. I was able to afford the purchase by selling my FujiFilm digital kit. To be honest, my cameras were several years old and getting a little long in the tooth. I figured I should sell them before they were worth pennies. I still own a Leica M6 35mm film camera and the most amazing FujiFilm X-100F digital camera. I already own two Leica lenses, a 1970 50mm f2 Summicron and a 90mm 2.4 Summarit. I felt the need for a faster lens. I already owned the Voigtlander 35mm 1.4 Nokton Classic which has great image and build quality so I eagerly awaited the release of the Voigtlander Nokton 50mm 1.2. This lens was anticipated to be an amazing alternative to the very expensive Leica 50mm lenses. I purchased my lens from B&H Photo in New York. I have always had good luck purchasing from them as they are very trustworthy and reputable. My Lens arrived new and amazingly well constructed as I expected. I do wish the lens came with the matching hood and maybe a dust pouch or bag. It just came in standard protective box and packaging (yawn). I think they are missing the mark by not adding some updated presentation packaging. I have found the lens to be very sharp and has a very nice Bokeh. Any lack of sharpness has been caused by being out of practice with the manual focus rangefinder, my eyes starting to age, astigmatism in my dominant eye and my now use of the dreaded spectacles. I am amazed at the image quality and construction of the Voigtlander. I have owned many 50mm lenses from different manufacturers to include the Canon 50mm L 1.2 and I have to say that this little guy (Voigtlander) takes the cake. It has amazing character to it. Vinny The Lens www.Vinnythelens.com

I bought this tripod to support my new FujiFilm GFX 50sii digital medium format camera. I was replacing an older model Gitzo aluminum tripod with a ball head. I have used the Manfrotto Befree a few times in cold weather (I live in British Columbia, Canada) and it has held up well in the snow. I am surprised by how light and compact this tripod is, given the maximum payload. So far, I am very happy with my purchase.

As I put together my YT videos I could hear the difference between smartphone, camera and digital recorder. I wanted a wireless unit, but they were either too expensive or complicated for my needs. A co-worker saw a news crew using Hollyland Lark M2 and mentioned it. I read the sponsored reviews and they seemed too optimistic. I decided to give it a try and indeed it is an amazing product for the cost. No channel assignments, nothing to dial in, no buttons to push. The mics auto pairs to the receiver so it doesn't matter which you grab. Receiver can be used to feed camera or any other device with mini audio port. Con: Mics are omni, no audio metering, no indicator for stereo/mono, online app is worthless. I would highly recommend this unit if you are looking to capture clean consistent audio with little effort and at reasonable price.

This Shure MOTIV Digital Audio Interface works well with our PTZ Camera for a House Of Worship Streaming Solution. With everything going on with COVID-19, this adds to a seamless interface for our live streaming services.

I ordered these microphones for my digital advertising business and the audio quality for recording on my camera is amazing. This was my first time purchasing on this website and I will continue to buy with them. Will recommend this website to all of my friends and family.