Fujifilm Finepix 16Mp 50X Optical Zoom Digital Camera

forms a perfect match with the Fujifilm FinePix HS50EXR Digital Camera

I bought this case to hold my new Fujifilm waterproof Finepix XP130 in my lifejacket pocket for a 7 day in the bush canoe trip in the Lake Kipawa region in Quebec Province. I liked the design because it seemed to offer the most physical protection with minimal material that would stay wet if it got soaked in the rain or a dumping. I used the caribiner clip to have the camera on me in camp when I wasn't wearing my lifejacket. I'd replace the plastic one with one that is easier to unhook from my belt loop. The draw-string worked well to keep the camera secure when needed. I stored an extra SD card in the bottom in a small Ziploc type bag. I liked the case for this type of trip.

the said screen protector looks good and does not seem to be tampered and is exactly what I needed for my Fujifilm FinePix X10 screen --- I actually have one(1) installed --- it is still good but; I needed a backup just in case --- who knows ?

I've been shooting with the Fujifilm X system ever since the X-Pro1 came out, but had been a Canon L Series lens user going back to my early Canon DSLR days, and a Leica user before that. These days most of my work is with an X-Pro2. I have a fair number of Fujifilm primes as well as several zooms. For walking around, I used to rely on the Fujifilm XF 18-55 zoom. I always felt this was several cuts above the normal kit lens one associates with entry-level DSLRs, better built, and more consistent in performance across the zoom range than a plastic-bodied kit lens. With all that said, after an intensive period of use, I've come to feel that the XF 18-135 zoom easily surpasses the XF 18-55 both in terms of optical resolution and in-hand usefulness. It's obviously larger and heavier than the 18-55, but optically it easily out-performs the sample of the 18-55 in my collection. Resolution is outstanding and noticeably better than the 18-55. Correction seems excellent. THE OIS is every bit as good as the 18-55 and certainly serves to compensate partially for the optical slowness of the non-constant-aperture design of the lens. That said, in outdoor daylight use the speed of the 18-135 is a non-issue, even at the low ISOs I usually work with. It comes down to this: with the 18-55 I usually ended carrying several additional lenses, usually at least a couple of primes, and sometimes the 55-200, just to be certain I'd be ready for something unforeseen. With the 18-135 I've quickly found that unless there's something I know I'm going to do outside of its considerable range, the need to carry additional lenses in a typical walking around scenario has been eliminated. So even though it's not a small and light package in hand, I end up carrying less in total. The size and weight of the 18-135 are more than compensated for by its range and by its excellent optical performance.

The zoom lens is amazing. It is advertised as a 14X optical lens, but with the digital zoom it zooms to 57X with crystal clear photos.

Love this camera. I have several Fujifilm cameras and they all perform extremely well. Been using the Optical view for now. So far, photos come out sharp! Now need to buy another lens.

I compared this eyepiece with the old 20-60x eyepiece on my 80mm HD scope before I decided which one to get. I came to the conclusion that this is the zoom eyepiece one should get a the Swarovski scope. Both eyepieces offer great clarity and resolution. The main advantage of the 25-50x is the expansive view from 25x all the way to 50x. At the low end, the new eyepiece provides greater true FOV at a higher magnification than the old eyepiece. Translated to real birding situation, that means you see more birds that look larger and has more details. This is a win-win situation. At the high end, the magnification difference is not that great between 50x and 60x. In fact, if 50x vs. 60x makes a difference in your ID, I would argue that you are better off with an astronomy eyepiece that provides even higher magnification. The Swarovski 80mm HD scopes are so good optically, I have no doubt you can push it to at least 75x (6mm eyepiece) without much degradation of the view. Of course, even at 50x, the atomosphric condition often make the image shimmer so much that it provides no more ID help than at 30-40x. In that sense, the slight disadvantage of 50x vs. 60x is even less of an issue in practice. The 25-50x eyepiece is also a lot closer to being parfocal than the 20-60x, which means you'll need to refocus a lot less when you change the zoom. It also has slightly longer eye relief in practice than the 20-60x, which should be better for glass wearers. All in all, if you are deciding which zoom to get, the $160 price difference is a small price to pay for the better view and other nicities of the 25-50x.

I received a free ZOOM Digital Monocular in exchange for a review. I was very impressed with the quality. It's easy to use, light and compact. It has a nice sleek feel to it and easily fits in your pocket so you can take it anywhere you go. I really like the zoom feature. It's a button you push and it has 3 different zoom depths. When you press the button it automatically zooms in and you don't have to wait, it's super cool. I love that it takes videos and pictures. It also comes with an SD card so you can download all your videos and pictures onto your computer. I would highly recommend this product to anyone in the market for a video camera/camera.

The Panasonic HC-VX981 turned out to be a very pleasant surprise. Top 2 qualities are ease of use and unequaled image quality, seriously, watching my movies and pictures on a TV screen seems like I am at the movies! Then, as you dwell into what the camera offers you, your horizon keeps expanding, both using the different modes and formats it offers. Stabilization is great, and so is the little light for night scenes. Additionally, the movie shoots in complete darkness, using infra-red. The only feature I would have like to have is a wide-angle around 29mm or lower. The zoom is optical at 20x, (phenomenal), then a hybrid optical/digital at 25x, and a digital going to 1,500x. The camera is light at use, but I recommend a larger battery. It's a 4k camera, with a clean HDMI.

Thanks to the camera advisor at B&H I own the beautiful Fujifilm X-T20 camera. Although I have a super zoom digital this is my first semi-professional digital camera. My kit includes the compact 18mm - 55mm lens and I purchased the the slower compact 55mm - 200mm to round out my system. This lens is a worthy addition. Please note that it is a manual lens that will not communicate with this camera. To use remember to: GO TO SETTINGS - SETUP (wrench icon) - BUTTON/DIAL SETTING -SHOOT WITHOUT LENS- and turn ON. Reverse after you finish shooting. Great lens, great price, thanks again B&H...