Fujifilm Ip 10 Digital Passport Camera System

The Lorex A14 IP Wired Dome Security Camera system works great. The pictures are clear and let you zoom in for a better view. This is the best camera system that I have had.

forms a perfect match with the Fujifilm FinePix HS50EXR Digital Camera

In my testing of the HiTech filters I shot the images in RAW format with some of my best gear. I attempted to color correct the images with a Passport ColorChecker. I had little luck with the 10 Stop (ProStop), some modest success with 7 stop (ProStop)filter, but did get a very workable image with the 4 stop filter (Standard).The base camera settings were:WB set to ShadeAv set to f/8ISO set to 100My processing included the following steps:1) Eye dropper white balance correction on the neutral square2) Export the image to ColorCheckerr Passport to create a custom camera profile for the image3) Restart LR4 and apply the custom camera profile4) Apply the LR4 preset for Scenic Sharpen5) Export to JPG filesThe 10 Stop:Temp shift from 7,000 to 50,000 (maxed out)Tint shift from +7 to + 114The 7 stop:Temp shift from 7,000 to 13,750Tint shift from +7 t0+81The 4 stop:Temp shift from 7,000 to 8,300Tint shift from +7 to -1The NON-Filtered:Temp Shift from 7,000 to 7,900Tint shift from +7 to +12

I use this Passport Sling camera bag with my Nikon 5000D camera, 55-300M lens, 10-24 Lens, and my common lens. After putting in my camera, extra lenses, wallet, a small notebook, and a bottle of water with room to spare. There are 4 or 5 outside pockets to slide the lens cap in while you are shooting, maybe a pen, your keys, chapstick, etc. It was really great to use while I was in NYC! I could carry everything I needed, plus my camera and it looked fashionable. This is the best camera bag I have ever had!

We were getting all sorts of interference with our 10-year old A/T wireless mics. With this digital system, we haven't had a bit of dropouts, even with the receivers not being line of sight. The mics sound good. Clear as a bell.

With my Fujifilm XT4 @ 400MBs, 10 bits... I was able to do interviews for long times, without the camera to stop or freeze up.

Thanks to the camera advisor at B&H I own the beautiful Fujifilm X-T20 camera. Although I have a super zoom digital this is my first semi-professional digital camera. My kit includes the compact 18mm - 55mm lens and I purchased the the slower compact 55mm - 200mm to round out my system. This lens is a worthy addition. Please note that it is a manual lens that will not communicate with this camera. To use remember to: GO TO SETTINGS - SETUP (wrench icon) - BUTTON/DIAL SETTING -SHOOT WITHOUT LENS- and turn ON. Reverse after you finish shooting. Great lens, great price, thanks again B&H...

I started out with digital but have gone back to film for the colors and process. I find that I shoot a lot less but score more keepers when I’m shooting film. With digital, I end up with too many photos and less keepers. Something about the mindset. However, with the X-Pro3, I find myself shooting as if I’m shooting film. This is the closest thing you get without actually shooting film. This camera is a beast. It’s Fujifilm’s most sacred camera. They fund the development of this camera with their other mainstream cameras like the X-T3. It’s like how Porsche treats their 911. The OVF is a blast to use, especially with the Fujicrons (f2 lenses). Mine is glued to the XF 35 f2; no blockage in the viewfinder. The OVF allows you to live the moment a little more authentically because it’s pretty much real life, unaltered. I’m glad I got the Dura Black because I feel this camera will be with me for a long time. I may even pass it on to my kids. This is Fujifilm’s most proud camera.

I recently decided to go back to using a digital Leica (M-262) as my primary camera. I was able to afford the purchase by selling my FujiFilm digital kit. To be honest, my cameras were several years old and getting a little long in the tooth. I figured I should sell them before they were worth pennies. I still own a Leica M6 35mm film camera and the most amazing FujiFilm X-100F digital camera. I already own two Leica lenses, a 1970 50mm f2 Summicron and a 90mm 2.4 Summarit. I felt the need for a faster lens. I already owned the Voigtlander 35mm 1.4 Nokton Classic which has great image and build quality so I eagerly awaited the release of the Voigtlander Nokton 50mm 1.2. This lens was anticipated to be an amazing alternative to the very expensive Leica 50mm lenses. I purchased my lens from B&H Photo in New York. I have always had good luck purchasing from them as they are very trustworthy and reputable. My Lens arrived new and amazingly well constructed as I expected. I do wish the lens came with the matching hood and maybe a dust pouch or bag. It just came in standard protective box and packaging (yawn). I think they are missing the mark by not adding some updated presentation packaging. I have found the lens to be very sharp and has a very nice Bokeh. Any lack of sharpness has been caused by being out of practice with the manual focus rangefinder, my eyes starting to age, astigmatism in my dominant eye and my now use of the dreaded spectacles. I am amazed at the image quality and construction of the Voigtlander. I have owned many 50mm lenses from different manufacturers to include the Canon 50mm L 1.2 and I have to say that this little guy (Voigtlander) takes the cake. It has amazing character to it. Vinny The Lens www.Vinnythelens.com

I bought this tripod to support my new FujiFilm GFX 50sii digital medium format camera. I was replacing an older model Gitzo aluminum tripod with a ball head. I have used the Manfrotto Befree a few times in cold weather (I live in British Columbia, Canada) and it has held up well in the snow. I am surprised by how light and compact this tripod is, given the maximum payload. So far, I am very happy with my purchase.