Fujifilm S5000 Digital Camera White Screen

forms a perfect match with the Fujifilm FinePix HS50EXR Digital Camera

60% of the price, 95% of the functions of the CD-S5000

Thanks to the camera advisor at B&H I own the beautiful Fujifilm X-T20 camera. Although I have a super zoom digital this is my first semi-professional digital camera. My kit includes the compact 18mm - 55mm lens and I purchased the the slower compact 55mm - 200mm to round out my system. This lens is a worthy addition. Please note that it is a manual lens that will not communicate with this camera. To use remember to: GO TO SETTINGS - SETUP (wrench icon) - BUTTON/DIAL SETTING -SHOOT WITHOUT LENS- and turn ON. Reverse after you finish shooting. Great lens, great price, thanks again B&H...

I started out with digital but have gone back to film for the colors and process. I find that I shoot a lot less but score more keepers when I’m shooting film. With digital, I end up with too many photos and less keepers. Something about the mindset. However, with the X-Pro3, I find myself shooting as if I’m shooting film. This is the closest thing you get without actually shooting film. This camera is a beast. It’s Fujifilm’s most sacred camera. They fund the development of this camera with their other mainstream cameras like the X-T3. It’s like how Porsche treats their 911. The OVF is a blast to use, especially with the Fujicrons (f2 lenses). Mine is glued to the XF 35 f2; no blockage in the viewfinder. The OVF allows you to live the moment a little more authentically because it’s pretty much real life, unaltered. I’m glad I got the Dura Black because I feel this camera will be with me for a long time. I may even pass it on to my kids. This is Fujifilm’s most proud camera.

I recently decided to go back to using a digital Leica (M-262) as my primary camera. I was able to afford the purchase by selling my FujiFilm digital kit. To be honest, my cameras were several years old and getting a little long in the tooth. I figured I should sell them before they were worth pennies. I still own a Leica M6 35mm film camera and the most amazing FujiFilm X-100F digital camera. I already own two Leica lenses, a 1970 50mm f2 Summicron and a 90mm 2.4 Summarit. I felt the need for a faster lens. I already owned the Voigtlander 35mm 1.4 Nokton Classic which has great image and build quality so I eagerly awaited the release of the Voigtlander Nokton 50mm 1.2. This lens was anticipated to be an amazing alternative to the very expensive Leica 50mm lenses. I purchased my lens from B&H Photo in New York. I have always had good luck purchasing from them as they are very trustworthy and reputable. My Lens arrived new and amazingly well constructed as I expected. I do wish the lens came with the matching hood and maybe a dust pouch or bag. It just came in standard protective box and packaging (yawn). I think they are missing the mark by not adding some updated presentation packaging. I have found the lens to be very sharp and has a very nice Bokeh. Any lack of sharpness has been caused by being out of practice with the manual focus rangefinder, my eyes starting to age, astigmatism in my dominant eye and my now use of the dreaded spectacles. I am amazed at the image quality and construction of the Voigtlander. I have owned many 50mm lenses from different manufacturers to include the Canon 50mm L 1.2 and I have to say that this little guy (Voigtlander) takes the cake. It has amazing character to it. Vinny The Lens www.Vinnythelens.com

I bought this tripod to support my new FujiFilm GFX 50sii digital medium format camera. I was replacing an older model Gitzo aluminum tripod with a ball head. I have used the Manfrotto Befree a few times in cold weather (I live in British Columbia, Canada) and it has held up well in the snow. I am surprised by how light and compact this tripod is, given the maximum payload. So far, I am very happy with my purchase.

I wanted a screen protector for my new Fujifilm X-H2s. The screen on that camera is the same as the screen on my X-T4, so I ordered that screen. Works perfectly. Easy to apply. I have seen some people say online that the screen for the X-T4 is too think for the X-H2s. But it seems to fit perfectly.

When Fujifilm announced the X-Pro3, like so many other people, I thought the designers at Fuji were off their rocker. But then I got to thinking about how I shoot and how I use the back screen, and it started to makes sense. And when I started shooting with one, I quickly fell in love with it. The screen easily folds down in one smooth motion to be used discreetly as a waist level finder without sticking off to the side attracting attention like a typical flippy screen. This camera can do great quality video, but is not the best designed camera for video, or for people shooting selfies. But Fujifilm, and all the other brands, have plenty of choices for people wanting the flippy screen experience. This camera is for the stills photographer who want to be discreet and quietly fade into the background while photographing their subjects.

Before I used this product I used white paper as recommendedby Canon for my 30D. I put lines on the paper for focus andset white balance as custom. The paper was difficult to useand keep with me. Since buying the gray digital card, I havefound it to be more accurate than white paper and easier touse. The digital gray card produces perfect custom whitebalance and works every time. It has a focus spot to get thecorrect image for setting up in-camera custom white balance.One time I used both the gray card and the white card (onthe lanyard) and found the gray card produced the correctwhite balance over the white card. Now I never take a shotwithout setting the custom white balance to the gray card. Ido this in-camera so I don't have to make adjustments inpost processing. The gray card also gives the correct lightreflection for digital camera exposure. Most books say thegray card should reflect at 18%, but that is not correct fordigital. See article on the internet by Thom Hogan who says digital camera makers set exposure meters to near12% gray reflectance, 18% is based on printing standards.This gray card is closer to 12% and is very accurate.I like the lanyard. When I'm outdoors I keep it on my neckso I can periodically reset the custom white balance as Ishoot. Inside under lights, I use it one time and I'm setfor the shoot. I highly recommend this card for seriousphotography, and it is inexpensive as photo equipment goes. Expertise: Advanced / non-pro

The Black and White Mode is the first real film look i have found in any professional digital camera paired with the metal body, size and overall rangefinder design with the addition of the mode dial have all restored the digital camera back into the long historical evolution of the street photographer's camera.