Fujifilm Vintage Digital Camera

I got this for my Fujifilm X-Pro1, It compliment the vintage look and is wide enough but not too wide, and is very comfortable.

I've been an avid photographer since the early 70s, so I love how Fujifilm has captured that vintage 35mm look. The film simulation, which lets you shoot in black and white and sepia as well as color, really adds to the retro feel and gives you additional creative things you can try. It's a well made camera for the price. I just wish they had placed the "Q" menu button in a different spot, where you thumb doesn't naturally go when you grip the camera. But the virtues of the X-T30 outweigh this one inconvenience.

forms a perfect match with the Fujifilm FinePix HS50EXR Digital Camera

I'm really happy with the quality of images using vintage lenses with a digital camera. I love being able to use my FD lenses with my DSLR. It functions smoothly and helps me keep my equipment minimal.

I wrote a review for the 1/4 BPM too... so some of this is the same. I've been told my work has this vintage, or cinematic feeling, but that's not the reason why I use these filters. I like Black Pro Mist filters because cameras these days feel too digital and too sharp - to the point of where I think it detracts. It's entirely subjective - and I hate the cliche of saying it's my style but it is. The best way to describe the look of the BPM 1 is it makes your image or video look way less digital in camera. The halation in the highlights is very noticeable and it overall softens the feel of your image or video. Color grading with these filters is still easy, as these filters just changes the sharpness especially with how highlights fall off, and it doesn't quite impact the color itself - with exception to how saturated it is. If you want that dreamy, or incredibly vintage look, then get at least a 1/2 or 1. The filters are relatively inexpensive for camera gear, so give it a shot. If you don't like it for your everyday look, you never know when it'll come in handy for one-off projects!

Thanks to the camera advisor at B&H I own the beautiful Fujifilm X-T20 camera. Although I have a super zoom digital this is my first semi-professional digital camera. My kit includes the compact 18mm - 55mm lens and I purchased the the slower compact 55mm - 200mm to round out my system. This lens is a worthy addition. Please note that it is a manual lens that will not communicate with this camera. To use remember to: GO TO SETTINGS - SETUP (wrench icon) - BUTTON/DIAL SETTING -SHOOT WITHOUT LENS- and turn ON. Reverse after you finish shooting. Great lens, great price, thanks again B&H...

I started out with digital but have gone back to film for the colors and process. I find that I shoot a lot less but score more keepers when I’m shooting film. With digital, I end up with too many photos and less keepers. Something about the mindset. However, with the X-Pro3, I find myself shooting as if I’m shooting film. This is the closest thing you get without actually shooting film. This camera is a beast. It’s Fujifilm’s most sacred camera. They fund the development of this camera with their other mainstream cameras like the X-T3. It’s like how Porsche treats their 911. The OVF is a blast to use, especially with the Fujicrons (f2 lenses). Mine is glued to the XF 35 f2; no blockage in the viewfinder. The OVF allows you to live the moment a little more authentically because it’s pretty much real life, unaltered. I’m glad I got the Dura Black because I feel this camera will be with me for a long time. I may even pass it on to my kids. This is Fujifilm’s most proud camera.

I recently decided to go back to using a digital Leica (M-262) as my primary camera. I was able to afford the purchase by selling my FujiFilm digital kit. To be honest, my cameras were several years old and getting a little long in the tooth. I figured I should sell them before they were worth pennies. I still own a Leica M6 35mm film camera and the most amazing FujiFilm X-100F digital camera. I already own two Leica lenses, a 1970 50mm f2 Summicron and a 90mm 2.4 Summarit. I felt the need for a faster lens. I already owned the Voigtlander 35mm 1.4 Nokton Classic which has great image and build quality so I eagerly awaited the release of the Voigtlander Nokton 50mm 1.2. This lens was anticipated to be an amazing alternative to the very expensive Leica 50mm lenses. I purchased my lens from B&H Photo in New York. I have always had good luck purchasing from them as they are very trustworthy and reputable. My Lens arrived new and amazingly well constructed as I expected. I do wish the lens came with the matching hood and maybe a dust pouch or bag. It just came in standard protective box and packaging (yawn). I think they are missing the mark by not adding some updated presentation packaging. I have found the lens to be very sharp and has a very nice Bokeh. Any lack of sharpness has been caused by being out of practice with the manual focus rangefinder, my eyes starting to age, astigmatism in my dominant eye and my now use of the dreaded spectacles. I am amazed at the image quality and construction of the Voigtlander. I have owned many 50mm lenses from different manufacturers to include the Canon 50mm L 1.2 and I have to say that this little guy (Voigtlander) takes the cake. It has amazing character to it. Vinny The Lens www.Vinnythelens.com

I bought this tripod to support my new FujiFilm GFX 50sii digital medium format camera. I was replacing an older model Gitzo aluminum tripod with a ball head. I have used the Manfrotto Befree a few times in cold weather (I live in British Columbia, Canada) and it has held up well in the snow. I am surprised by how light and compact this tripod is, given the maximum payload. So far, I am very happy with my purchase.

It is great to know we can still use our vintage camera.